83.5 MB

Always-On Audio Recorder. Polarity-Recorder keeps the most recent 1 to 20 minutes of audio. Record a plug-in input or capture desktop audio in the standalone app, then select, edit, listen to, and export a WAV file.

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Polarity-Recorder.0.2.2  ( 84 MB )

33 MB

OCCULAR: transforms the sound inside your DAW into a living visual experience.
Drop it onto any track, bus, or master and watch your music come alive in real time: kicks pulse, melodies ripple, textures breathe, and entire mixes evolve across the screen.

No timelines. No keyframes. No leaving your session. Just press play and see what your sound looks like.

A New Way to Experience Your Music
Inside OCCULAR is a collection of audio-reactive visualizers, each with its own atmosphere, movement, and personality.

One sound might erupt into color. Another might drift through a hypnotic world. A drum loop can feel sharp and chaotic, while an ambient pad moves slowly like something alive.

OCCULAR is not just something to watch, it gives you a new way to feel the movement, intensity, and emotion inside your music.

How does OCCULAR work exactly?
Place OCCULAR anywhere audio is passing through.

It listens to your sound in real time and translates changes in rhythm, dynamics, and frequency into motion on the screen.

VISUALIZERS: explore distinct visual worlds with their own styles of movement and reaction

REACTIVITY: watch every hit, swell, rhythm, and texture influence what happens on screen

TRACKS: isolate drums, vocals, melodies, or effects and see how each sound moves

BUSES: send entire groups into OCCULAR and watch different layers react together

MASTER: transform your complete production into one evolving visual experience

REAL TIME: everything responds instantly while you produce, arrange, and play

NO SETUP: load OCCULAR, choose a visualizer, and press play

Whether you use it for inspiration, atmosphere, or simply a more immersive way to create, OCCULAR gives every sound a world to live inside.

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Cymatics.Occular.1.0.0  ( 33 MB )

13.7 MB

BlueARP is a programmable pattern arpeggiator with a step-sequencer approach.
Since 2012 it had long journey from a basic pattern arp into a flexible MIDI engine capable of creating trance/EDM arpeggios, melodic bass lines that follow chords, drum patterns and fills, guitar picking and strumming patterns (with chuck articulation), and more.

Basically you need to program some pattern in BlueARP (it’s quite fast with its matrix editor), then you play some chords and BlueARP will generate melodic phrases from this chords, according to the pattern you programmed. BlueARP was designed for electronic music genres (like trance, house, etc.), but it also may have some unexpected applications like triggering drums (it has swing feature).

Features:
– Up to 64 steps per pattern;
– Up to 128 programs per bank;
– Intuitive matrix editor to program patterns quickly;
– Up to 5 input keys;
– Real-time input quantization (input quantize setting, pattern restart on beat / key);
– Input range setting for keyboard-split performances;
– Separate settings for octave and semitone per step transpose;
– Chord recognition, it is possible to use ‘root note’ along with input keys.
– Configurable color schemes

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BlueARP.2.8.8c  ( 14 MB )

400 MB

Audacity is a free, easy-to-use and multilingual audio editor and recorder for Windows, Mac OS X, GNU/Linux and other operating systems.

Audacity can record live audio through a microphone or mixer, or digitize recordings from cassette tapes, vinyl records, or minidiscs. With some sound cards, it can also capture streaming audio.

• Record from microphone, line input, or other sources.
• Dub over existing tracks to create multi-track recordings.
• Record up to 16 channels at once (requires multi-channel hardware).
• Level meters can monitor volume levels before, during, and after recording.

Import sound files, edit them, and combine them with other files or new recordings. Export your recordings in several common file formats.

• Import and export WAV, AIFF, AU, and Ogg Vorbis files.
• Import MPEG audio (including MP2 and MP3 files) with libmad.
• Export MP3s with the optional LAME encoder library.
• Create WAV or AIFF files suitable for burning to CD.
• Import and export all file formats supported by libsndfile.
• Open raw (headerless) audio files using the “Import Raw” command.

EDITION

• Easy editing with Cut, Copy, Paste, and Delete.
• Use unlimited Undo (and Redo) to go back any number of steps.
• Very fast editing of large files.
• Edit and mix an unlimited number of tracks.
• Use the Drawing tool to alter individual sample points.
• Fade the volume up or down smoothly with the Envelope tool.
• Change the pitch without altering the tempo, or vice-versa.
• Remove static, hiss, hum, or other constant background noises.
• Alter frequencies with Equalization, FFT Filter, and Bass Boost effects.
• Adjust volumes with Compressor, Amplify, and Normalize effects.
• Other built-in effects include: Echo, Phaser, Wahwah, Reverse.

QUALITY

• Record and edit 16-bit, 24-bit, and 32-bit (floating point) samples.
• Record at up to 96 kHz.
• Sample rates and formats are converted using high-quality resampling and dithering.
• Mix tracks with different sample rates or formats, and Audacity will convert them automatically in realtime.

PLUG-INS

• Add new effects with LADSPA plug-ins.
• Audacity includes some sample plug-ins by Steve Harris.
• Load VST plug-ins for Windows and Mac, with the optional VST Enabler.
• Write new effects with the built-in Nyquist programming language.

ANALYSIS

• Spectrogram mode for visualizing frequencies.
• “Plot Spectrum” command for detailed frequency analysis.

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Download  ( 400 MB )

27.8 MB

ANCHOR is a mix-balance utility from quietformat that compensates for level shifts caused by processors and plugin chains. It is built for hearing what an EQ, compressor, saturator, clipper, limiter, or mastering chain is actually doing without being fooled by louder-or-quieter output.

The workflow uses two linked plugins: ANCHOR START before the processor and ANCHOR END after it. After continuous playback builds a reference, END compares matching sections of the before and after signal and applies one broadband trim gain.

That makes ANCHOR useful on individual inserts, full track chains, buses, mix buses, and mastering chains where a small level change can bias a decision. START is bit-transparent, while END adjusts the gain without trying to undo EQ moves, compression behavior, harmonics, transients, stereo imaging, or spatial processing.

Key Features
– Paired ANCHOR START and ANCHOR END workflow for checking processors or full plugin chains.
– Automatic broadband trim gain compensates for processing-related level changes.
– Bit-transparent START instance captures the reference without altering the incoming audio.
– END compares matching before-and-after sections after continuous playback builds a reference.
– Works around individual plugins, complete chains, tracks, buses, mix buses, and mastering chains.
– Preserves EQ tone, dynamics, harmonics, transients, stereo image, and spatial processing rather than flattening the mix.
– macOS and Windows support with VST3 on both platforms and AU on macOS.

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ANCHOR.1.0.5-1.0.7  ( 28 MB )

26.5 MB

Rust-based DAW with AI Sample Generation. A professional DAW engineered from the ground up in Rust. Experience a mastering-grade audio engine, 14 built-in synthesizers, 16 studio effects, and seamless CLAP, VST3, and LV2 support. The world’s first DAW featuring native AI sample generation and image-to-sound synthesis powered by ElevenLabs and Gemini AI.

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Omni.Daw.0.1  ( 26 MB )

21.91 MB / 126.99 MB

PINCH Control & Shape Your Sound With Your Hands
Turn your webcam into an expressive, hands-free modulation controller. PINCH tracks your hand movements in real time and converts them into automation you can route to virtually any parameter inside your DAW.

Control filters, effects, macros, transitions, and more with a simple pinch gesture, turning ordinary automation into something you can physically perform.

Motion Based Automation Control
Most automation is created by drawing lines, clicking points, or repeatedly adjusting a knob until the movement feels right.

PINCH transforms automation into a physical performance by letting you control parameters with your hand through any standard webcam.

Pinch your fingers, move your hand and hear your FX respond instantly.

Instead of programming every movement, you can perform it with the same emotion and instinct you bring to an instrument.

Turn Any FX Parameter Into a Performance
PINCH was designed around one goal: making automation feel more expressive, intuitive, and fun.

Simply open PINCH, connect your webcam, and map its control output to virtually any automatable parameter inside your DAW.

Adjust the tracking sensitivity to match your movements, invert the response when needed, and control parameters using your right hand, left hand, or both.

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Cymatics.Pinch.1.2.6-1.2.5  ( 126 MB )

74.6

Audit Your Audio with Confidence. A powerful, open-source toolkit for audio analysis and playback. Verify lossless quality, detect AI-generated tracks, and explore your library with a built-in hi-res player and advanced EQ.

Fake Lossless Detection
Identifies files that claim high quality but are actually upsampled from lower bitrate sources via FFT spectral analysis.

Spectral Analysis
4096-point Hanning-windowed FFT determines the true effective frequency ceiling of your audio with precision.

Clipping Detection
Digital clipping scan with percentage and sample-count reporting. Thorough mode detects clipping even when scaled down.

MQA Detection
Identifies MQA and MQA Studio encoded files, reports original sample rate and encoder information.

AI Audio Detection
Scans metadata, byte patterns, C2PA provenance, AI watermarks, and audio signals to detect AI-generated music. The unified AI column shows Yes / Possible / No verdicts with confidence scores, combining standard detection, SH Labs API, and experimental spectral analysis.

Rich Export
Export to Excel, CSV, Text, PDF, or Word — all matching your DataGrid layout with styled formatting.

Fake Stereo Detection
Identifies mono-duplicate and near-mono files using inter-channel correlation analysis.

Waveform & Spectrogram Compare
Compare audio files in time-domain waveform and full-resolution spectrogram. Features stacked, overlay (with pixel-level difference heatmap), and wipe modes. Ideal for verifying remasters and lossless authenticity.

Batch Tools
Batch rename with auto-rename from tags, duplicate detection, metadata stripping, playlist import, and cue sheet parsing for virtual tracks.

Search and Scrobbling
Connect with music services to discover tracks, search across platforms, and automatically scrobble your listening history.

AcoustID Fingerprinting
Identify unknown tracks by audio fingerprint via the AcoustID and MusicBrainz database. Auto-downloads fpcalc — no setup required.

Full Metadata Editor
Edit, add, or remove tags across all supported formats — ID3, Vorbis, APE, M4A. Includes a Batch Metadata GUI to enrich missing tags from MusicBrainz.

Loudness & Dynamics
Integrated LUFS/LKFS per ITU-R BS.1770, True Peak (dBTP) at 4× oversampling, Dynamic Range (DR), and Replay Gain.

Synced Lyrics & Karaoke
Multi-provider synced lyrics with word-by-word karaoke highlighting, real-time translation, and click-to-seek. Sources include LrcLib, Netease, Musixmatch, embedded tags, and local .lrc files.

Now Playing Panel
Immersive full-screen Now Playing experience with album-cover color-matched glows, customizable layout (cover, title, artist, visualizer positions), and gradient backgrounds extracted from art.

Metadata
– Artist & Title
– Sample Rate & Bit Depth
– Channels & Duration
– File Size & Bitrate
– BPM Detection
– Replay Gain
– True Peak & LUFS
– Dynamic Range

Spectral
– 4096-point FFT
– Hanning Window
– 100 Analysis Segments
– Effective Frequency Cutoff
– Band-Energy-Drop Method
– Codec-Aware Estimation

Detection
– Fake Lossless / Upconvert
– Digital Clipping
– Scaled Clipping
– MQA / MQA Studio
– AI-Generated Audio
– Fake Stereo Detection
– Silence Gap Detection
– Optimizer Processing

AI Detection
– Metadata Tag Scanning
– Raw Byte & UTF-16 Patterns
– C2PA / Content Credentials
– AI Watermark Identifiers
– SH Labs API Integration
– Experimental Spectral (7 Checks)

Built-in Player

A full audio player, built right in
No need to switch apps. AudioAuditor includes a complete audio player with features rivaling standalone players — including a full-screen Now Playing experience with synced lyrics.

✅ Hi-Res Audio
Native 96/192 kHz playback with automatic fallback resampling

✅ 10-Band Parametric EQ
32 Hz to 16 kHz with ±12 dB per band, soft clipping protection, built-in presets, and custom profile saving

✅ Spatial Audio
HRTF crossfeed, interaural time delay, head shadow, and early reflections

✅ Crossfade & Normalization
Configurable crossfade (1–15s) with 4 curves (Linear, Equal Power, Natural, Sequential), gapless playback, and peak-based audio normalization

✅ Shuffle, Queue & Loop
Fair Fisher-Yates shuffle, drag-and-drop queue management, and session-persistent loop modes

✅ 6 Visualizer Modes
Bars, Mirror, Particles, Circles, Scope & VU Meter at 60 FPS with independent theming

✅ System Integration
Windows media overlay support (SMTC) — now-playing info in volume OSD, media key controls, and third-party overlays

✅ Now Playing Panel
Immersive full-screen Now Playing with ColorMatch Eyedropper, 4 animated backgrounds (Snow, Rain, Leaves, Underwater), and customizable layouts

✅ Floating Mini Player
Compact player with playback controls and an independent visualizer

✅ Your Wrapped Dashboard
A rich, range-aware statistics dashboard with interactive charts and local listening tracking

✅ Synced Lyrics & Karaoke
Multi-provider lyrics (LrcLib, Netease, Musixmatch, embedded tags, local .lrc) with word-by-word karaoke highlighting and real-time translation

Lossless
FLAC, WAV, AIFF, ALAC, APE, WV, TTA, TAK

Lossy
MP3, AAC, M4A / M4B / M4R, OGG, OPUS, WMA, MP2, MPC, AC3, AMR, SPX

Container & Specialty
DSF / DFF (DSD), MP4, MKA, WEBM, 3GP / 3G2, AU / SND

Discord Rich Presence
Shows currently playing track, artist, elapsed time, and duration progress bar. Fetches album art from Last.fm with play/pause state icons and auto-reconnection.

Multi-Service Scrobbling
Full API integration with Last.fm, Libre.fm, ListenBrainz, and Maloja. Configurable thresholds, blacklisting, and simultaneous scrobbling.
Music streaming service integrations including Spotify, Tidal, Qobuz, Apple Music, YouTube Music

6 Music Service Slots
Choose from: Spotify, YouTube Music, Tidal, Qobuz, Amazon Music, Apple Music, Deezer, SoundCloud, Bandcamp, Last.fm, or any custom URL!

🌐 Optional Network Calls
No internet activity except when you explicitly use music search, Discord RPC, Scrobbling services, or the optional SH Labs AI detection. Offline Mode disables everything with one toggle.

< Minimal Disk Usage
Only small settings files and temporary archive extractions are written to disk. Analysis data lives in memory and temp files are cleaned up automatically.

📄 Local Logging Only
All optional logs are stored safely on your machine. No remote crash reports. No usage tracking.

🤖 Zero AI Training
Nothing analyzed or played is ever used to train generative AI. Period.

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AA.1.8.0  ( 75 MB )

17.3 MB

Interactive Graphic Score & Serial Music Generator. POINTILLISME is a browser-based generative quartet built entirely with the Web Audio API — a single self-contained HTML file, no installation, no dependencies.

Four independent oscillators function as four voices in a serial ensemble. Each voice runs seven independent series that advance at their own pace: pitch (cycling through all 48 row forms — Prime, Inversion, Retrograde, Retrograde-Inversion, each at 12 transpositions), register, duration, dynamics, envelope (ADSR), spatial position (stereo pan), and ornament. Because the series lengths are coprime, the global combination does not repeat for millions of events — an arithmetic property that produces the absence of repetition and hierarchical landmarks characteristic of integral serialism, not as an imposed rule but as an emergent consequence of the system itself.

The ornament series draws from ten types rooted in traditional and extended technique: trill, mordent, gruppetto, appoggiatura, acciaccatura, glissando, tremolo, arpeggio, cluster, or none. Each ornament is rendered both in sound and as a graphic glyph on the scrolling score.

The visual output is a graphic score in the tradition of Stockhausen’s Studie II and Earle Brown’s coordinate notation: time flows horizontally, frequency vertically, each event is drawn as an envelope-shaped figure whose width is its duration, height its dynamics, and profile its ADSR contour. The four voices are distinguished by colour (sanguine, ultramarine, green earth, ochre) and by texture (smooth fill for sine, horizontal hatching for triangle, serrated edge for sawtooth, vertical striations for square). Ornament glyphs appear above or beside each event using conventional notation symbols.

Compose with it
Press play and POINTILLISME generates a continuous, non-repeating serial texture. Each voice has its own waveform selector (sine, triangle, sawtooth, square) and can be independently re-seeded or muted (tacet). The base time unit controls the pace of the generative process.

When you hear material you want to keep, press record. The instrument captures the full stereo output and all note events simultaneously. When you stop recording, two export buttons appear:
– Save audio — WAV or AIFF, 16-bit or 24-bit, at your system’s native sample rate (typically 48 kHz). Ready to drop into any DAW.
– Save MIDI — a Standard MIDI File (Type 1) with four separate tracks, one per voice (OSC I through OSC IV), each on its own MIDI channel. Drag this into Ableton Live, Logic, Reaper, or any other DAW and each voice arrives on its own track. From there, you can assign your own instruments, edit individual notes, transpose voices, or use the serial material as a compositional skeleton for an entirely new piece. All ornament events (trill alternations, glissando steps, arpeggio tones, cluster notes) are written as discrete MIDI events, so nothing is lost in translation.

Perform with it
The freeze function (button or F key) stops time: the score halts, every event visible at that moment stays exactly where it is, and the canvas becomes interactive. Click any event and it plays — with its original waveform, envelope, ornament, and pan position. This turns POINTILLISME into a live instrument: you freeze a moment, explore its sonic content by clicking individual events in any order you choose, then unfreeze to let the generation continue. In a live performance context, alternating between generative flow and frozen, manually-triggered gestures creates a natural dialogue between algorithmic process and human decision.

Technical details
– Single self-contained HTML file — works in any modern browser, no server required
– Pure vanilla javascript and Web Audio API — zero external dependencies
– WAV encoder: PCM, little-endian, 16/24-bit
– AIFF encoder: PCM, big-endian, 80-bit extended sample rate field, 16/24-bit
– MIDI encoder: Standard MIDI File Type 1, 480 ticks/beat, conductor track + 4 voice tracks
– Stereo output with per-voice panning (serialized azimuth parameter)

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POINTILLISME  ( 17 MB )

30/229 MB

Play everything.
Capture anything.
Export anywhere.
NAM 9000 is two apps in one: a complete amp-sim rig — pedals, dual amps, studio EQs, cabs and FX — and a built-in capture studio that turns your real amps into standard .nam files. Yours to keep: load them in any NAM player, or export straight to NAM hardware. Both apps free.

A full rig, and the machine that builds rigs

Everything between your guitar and the mix
Paged like a real rig: pedalboard, amp head, rack, cab. No menus buried in menus.

The pedalboard
Gate, Tube Screamer, compressor, pitch, chorus, phaser, flanger, tremolo — plus the CAPTURE pedal: a second NAM engine that runs captured drive and fuzz pedals in front of your amp, simultaneously.

Two NAM engines at once — pedal capture into amp capture
Pedal captures from TONE3000 auto-route here
Tape delay and four-engine stereo reverb — room, hall, spring, plate — with trails bypass

The ampGlowing tube head, multi-capture cycling on the faceplate, Full/Lite quality toggle.
Stacked graphic and parametric EQ panels with live analyzers
Two studio EQs
10-band graphic rack and an 8-band parametric with HP/LP — stacked panels, both in the chain at once, each with its own live analyzer.
4×12 cabinet page
The cab
Classic-style 4×12 with IR loading. Amp+cab captures auto-bypass it — no double-cab mud.
Profile browser with brand folder tree
The library
Hundreds of profiles in a resizable brand-tree browser — search, favorites, folders, one-click load.

Your amp, immortalized
Profiling isn’t an external tool or a paid add-on — it’s a page in the plugin. Setup → Test → Capture → Train → Compare, all guided.

The capture studio
NAM 9000 plays the official NAM capture sweep through your rig, records what comes back, and trains a neural model on your own machine — GPU-accelerated, nothing uploaded anywhere. No NVIDIA GPU? One click exports the recording to TONE3000 and trains it free in the cloud. This is the actual capture scene from the plugin, cloning a rig on loop:

Capture amps, drive pedals, or full amp+cab rigs
Built-in level test and sweep calibration
A/B compare the clone against the real amp when it’s done
Output is a standard open .nam file — not a locked format
Export any capture for NAM hardware — Dimehead, HoTone, Darkglass and friends
Share on TONE3000 or keep your secret sauce private
YOUR RIG
THE CLONE
READY
waiting to record
🎸
Hook up your amp
Interface out to the amp, mic or load box back in
›
📡
Play the sweep
The plugin sends the calibrated capture signal through your rig
›
🧠
Train locally
The neural trainer runs on your own machine
›
⚡
your-amp.nam
Lands in your library, ready to play or share

Powered by community

250,000+ captures, zero cost
NAM 9000 speaks directly to TONE3000, the largest open library of neural amp captures. Search by gear, audition, one-click download — amps, pedals and full rigs route to the right slot automatically.

Search with gear and architecture filters (A1 / A2)
Pedal captures auto-route to the CAPTURE slot
Amp+cab captures auto-bypass the internal cab
Multi-capture tones download on demand as you cycle

Free. No account. No strings.
One email, both installers — Windows and macOS links land in your inbox. Free, no account, unsubscribe anytime.

⚙️ Requirements
Windows 10 / 11, 64-bit · ASIO interface recommended
macOS 11 (Big Sur) or later, Apple Silicon or Intel
VST3 / AU host (any major DAW) or run standalone

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NAM.9000.1.8.0  ( 327 MB )