75.8 MB

The XM plugin family has come a long way over the past 1–1.5 years. Now, we have a companion on this journey my dear friend Jordan Faulknor has voluntarily joined the process. Thanks to his unique approach, the XM plugins now have brand new visual designs. I owe him a big thank you!

There have been various changes in the algorithms, and I’ve taken note of all the feedback so far. It’s quite difficult to implement every single piece of feedback and satisfy everyone, but I’ve tried to strike a solid balance. The performance and optimization of all plugins have been reviewed. The internal source codes have been revisited, and every detail has been prioritized.

The plugin market is huge now. However, the XM plugin family stands out with a few key philosophies. The plugin I trust the most is XMLimiter. A few more plugins have entered the market, but when it comes to transient management, avoiding pumping artifacts, and preventing stereo narrowing, they fall short. Because when transitioning from verse to chorus, many limiters on the market cause a loss of feeling and emotion.

XMCompressor is a mastering beast and it’s very hard to match.

XMEQ was built with inspiration from numerous hardware units to achieve tonal balance.

The other XM plugin units also have a similarly subtle sonic character.

In short, everything has been renewed from top to bottom, and they are now ready to use.

(XMVari will follow shortly and join us soon as well…)

As always: FREE! And supporting via donation is more than enough.

Visit Developer Site

XM.SMB.WIN  ( 151 MB )

XM.SMB.MAC  ( 204 MB )

86 KB

Chord Ripper v3:
Decompose chords across multiple tracks. Add the device to each track you want to feed off the chord and set the desired voice/group. Play a MIDI chord into any track containing this device, and its notes will be distributed across the tracks sharing the same group.
Crisco Note Shortening v1:
Gives precise real-time control of note length. Crisco Note Shortening trades latency for convenience in being able to micro-tune note lengths, e.g. if you have notes in your piano roll that are legato but you want to shorten them to avoid the note release from interacting with the following note. Suggested by Marlon who makes Psytrance, where precise control like this is important.
Fibonacci Note Echo v6:
This is a MIDI Effect device that will repeat notes, with each repeat delay following the Fibonacci Sequence. You can control the number of repeats, time scale, pitch, and velocity change.
This was my first javascript-based M4L patch. It was a great learning experience to figure out how to code up both the logic and visualization in M4L’s javascript environment.

Fractal Note Echo v7:
This is a MIDI Effect device that will trigger notes in a fractal pattern. The base fractal shape (in terms of timing between echo taps) can be defined, then number of iterations and iteration scale can be controlled. The kinds of textures you can get out of it are really surprising, and have been inspiring to me. There is a natural beauty and harmony to fractals, which can contribute a more natural feel to your sounds.
This device is mostly implemented in javascript in Max For Live. Super fun to make.

Key Stepper v7:
A step sequencer that is advanced only via incoming MIDI notes. It supports pattern lengths of 1-32 steps, and with configurable pitch, velocity, and probability per step. Complex polyrhythms and shifting times are easily possible.
Len Stepper v6:
Len Stepper is a single-note arpeggiator that makes it easy to create rhythmic patterns with any measure division. Use it in conjunction with Key Stepper to reliably create polyrythms and fugues.
MoireArp v2:
An arpeggiator inspired by moire patterns. Set a base time interval, number of note layers, and an interval increment and hold a note. Amazing patterns result.
PitchPath v1:
PitchPath is a visual note sequencer that lets you draw melodies. It works with Scale Awareness and can be toggled between relative and absolute note modes. Surprisingly useful!
Quantize MIDI v2:
This device allows you to variably quantize a stream of MIDI notes. Sweep from random to locked in to the song tempo, and everything in between. In the screen recording above, the “Amount” knob in the lower-left is controlling the degree of quantization.

Visit Developer Site

zs-m4l-NoteEffects  ( 86 KB )

Size:13.5 MB

*Meet the new XM Series!*

Now with unmatched transparency in sound.

Depth that feels like you’ve just bought an expensive piece of hardware!

Our design philosophy remains the same — but we’ve built upon it, refined it, and taken it further.

And now, this philosophy is officially *patented and licensed*!

We’ve also developed a brand-new approach to dynamic control!

In short: the incoming signal is analyzed in real time, split into multiple stages, and then recombined with extreme precision.

But you already knew that, didn’t you?

*What’s new:*

* Fresh new interfaces! (Still just the beginning…)

* Various bug fixes.

* XMCompressor now includes an SC-HPF!

* XMLimiter’s algorithm has been further refined, producing less THD for sustained/RMS response.

* DSP improvements for both XMLimiter and XMCompressor.

* Enhanced GR Meter behavior in XMLimiter and XMCompressor.

* Updated GR Meter visuals for XMLimiter and XMCompressor.

* Improved oversampling behavior and filters in XMLimiter and XMCompressor.

* XMEQ’s “AIR” (High) band is now even more special — while staying true to its original character.

* Reduced harmonic content from XMEQ for a cleaner tone.

* XMCompressor, XMLimiter, and XMEQ now feature dynamic, evolving signal responses — just like hardware — carefully tuned to avoid resolution or L/R balance issues.

* Updated default starting settings for XMCompressor.

Visit Developer Site

XM_Series_Mastering_Bundle_v12.10.2025_WIN  ( 18  MB )

XM_Series_Mastering_Bundle_v12.10.2025_MAC  ( 40 MB )

67.3 MB

Gianni Chiarello, a UK-based guitarist and educator with a wealth of experience in the music industry, has released Nice Stomps! Plugins – a collection of free guitar-based plugins. These plugins were created to give musicians quick, great-sounding tools for recording, mixing, and creative work.

PreBrowser is a Channel strip plugin that brings thousands of free preamp profiles directly into your DAW through an intuitive search-and-load interface. Powered by Neural Amp Modeler (NAM) technology and connected to the Tone3000 community library, you can instantly access classic preamps by simply searching by brand, model, or keyword. The built-in signal chain gives you complete tonal control: shape your tone with a professional 4-band EQ with parametric mids, add dynamics with a fully-featured compressor (complete with sidechain filter and wet/dry mix), tighten up your signal with a noise gate, and push your output through a final brickwall limiter. Each profile is captured using machine learning for authentic feel and response. A free Tone3000 account is required for the plugin to function as intended. Please read the manual for setup and usage instructions. No more downloading individual profiles or digging through preset banks — just search, load and tweak.

AmpBrowser brings thousands of free amplifier profiles directly into your DAW through an intuitive search-and-load interface. Powered by Neural Amp Modeler (NAM) technology and connected to the Tone3000 community library, you can instantly access classic and modern amps by simply searching by brand, model, or amp type. Choose between Full Rig (FR) profiles—where the speaker cabinet is baked into the capture—or DI amp profiles, which let you use your own IR loader and cabinet impulses for complete tonal control. Each amp profile is captured using machine learning for authentic feel and response, and with built-in controls for Gain, EQ, Level, Gate, and Presence/Bright, you can dial in professional tones quickly without managing files or scrolling through endless preset folders. A free Tone3000 account is required for the plugin to function as intended. Please read the manual for setup and usage instructions. No more downloading individual profiles or digging through preset banks — just search, load, and play.

StompBrowser brings thousands of free pedal profiles directly into your DAW through an intuitive search-and-load interface. Powered by Neural Amp Modeler (NAM) technology and connected to the Tone3000 community library, you can instantly access everything from vintage stomps to modern high-gain tones by simply searching for what you need by brand, model or type, or any gear you’re after. Each profile is captured using machine learning for authentic tone, and with Drive, Tone, Level, Gate, and Bright controls built-in, you get professional results without the hassle of managing files or scrolling through endless presets. You need a free Tone3000 account for this plugin to work as intended. Read the manual for instructions.
No more hunting through preset banks or downloading individual files—just type, click, and play.

EasyAmp is a NAM-powered guitar plugin designed to bring back simplicity and joy to recording. Instead of endless menus and overbuilt features, it gives you a warm, classic amp sound with the essentials: a smooth compressor, musical filters, mid-boost and bright-boost options, a space-shaping reverb, and a set of easy presets that make dialing in your tone effortless. From clean to full overdrive, EasyAmp captures the character and accuracy of a real amp while keeping you focused on playing, creating, and staying inspired, not engineering.

DelayChorus turns a simple plugin interface into a powerful, tempo‑synchronised delay and chorus powerhouse. With two independent delay lines, a tri-style chorus, tonal control and tape‑saturation, it gives studio engineers and live performers the flexibility to craft everything from tight slap‑back echoes to sweeping ambient pads, all with a single click of the sync switch. This completes a feature set that blends the ease of a classic pedal with the precision of a digital audio unit.

California Drive is a NAM-powered overdrive pedal plugin built for players who want character without complexity. It features two modes: a transparent, blues-friendly drive perfect for pop, country, and Americana, and a second which delivers classic-rock edge and punch without being too heavy. With drive, level, tone, and a bright switch, it’s easy to shape your sound, from a gentle boost to a mid-gain overdrive that sits beautifully in a mix, all the way to a fuzz-like texture for heavier indie-style tracks. California Drive gives you inspiring, usable tones that open up a song rather than overpower it.

Windows
– OS: Windows 10 or later
– CPU: x64 processor with SSE, SSE2, SSE3 support (any modern Intel/AMD CPU from ~2006+)
– Graphics: OpenGL 2.0 capable GPU for GUI

macOS
– OS: macOS 11.5 or later
– CPU: Intel x64 with SSE, SSE2, SSE3 support or Apple Silicon (ARM64) via Rosetta 2 or native builds
– Graphics: Metal or OpenGL capable GPU for GUI

Visit Developer Site

Nice.Stomps.Plugins.15.02.2026  ( 67 MB )

68/141 MB

The SpatStruments mini series brings together through a few plugins the essentials of what is offered in all Acousmodules: advanced integration of space with sound processing, and total freedom in spatial configurations.
These ones are also optimized for the most common “immersive” formats that can have up to 24 channels, which includes a good number of domes and acousmoniums, and covers all the multichannel formats associated with cinemas like 7.1.4 up to 22.2. If needed, like for other Acousmodules, conversions to ambisonic or binaural are easily achieved with high-performance, free plugins such as those from IEM and SPARTA, or even to Atmos objects with tools like Fiedler Audio Dolby Atmos Composer (not free…). Of course, they can also be used in stereo…

he SpatStruments are ideal for creators who do not whish to get lost in the quantity and diversity of Acousmodules, but who want to explore every aspect of spatial sound with maximum freedom. They are also well adapted to people who already have a good experience of spatialized mixing in standardized formats but who wish to go further in spatial sound design. And since each of them combine several tools inside a unified UI, with an important part dedicated to gestures, they can be particularly effective for live instrumental playing too.

P l u g i n s:

S p a t S t r u m e n t S M 2 4
Thanks to the recent expansion of MPE gesture controllers (my first one was the LinnStrument…), the SpatStrument SM24 should make it possible to approach audio-spatial sculpting in a playful and creative way, whether it is done inside standardized broadcast formats or in the freedom of original open spaces creations.Fortunately, it can also work in stereo with an ordinary keyboard with still enough features to play with sounds in innovative ways 😉
It associates sampling and synthesis with an original Spatial Shaper section where nearly all parameters can respond to multi-dimensional touch, of course if you have such device. And if it can work theoretically with every MPE controller, only a few of them have the needed sensitivity on the 3 axis to be really efficient 🙁

See also: MPESpat, MPESynth and MPESampler, all with 64 channels.

S p a t S t r u m e n t P L 3 2
The SpatStrument PL32 (for PLayer) can be considered as a sample player or a clip launcher.It allows to play at a time up to 25 mono samples and 9 up to 18 channels ones. It is mainly designed for NOT being based on tempo or beat synchronization, and to give preferential treatment to sensible gestures, fluctuating and even random controls.
It doesn’t have a spatialization section and effects, and it is intended to be used in tandem with the SpatStrument FX24/32.
Both sections, the Touch Player and the Mass Player, can be controlled by a regular MIDI keyboard, but they can benefit from more advanced control surfaces and 3D gesture controllers.

S p a t S t r u m e n t G R 2 4
The SpatStrument GR24 (for GRains and Gesture Recorder) is a versatile instrument dedicated to sample mangling and granular kind effects.It can record or load a mono wav file and process it through two different but complementary tools: the Vaporizer and the Crumblizer.
The Crumblizer can produce extremely short shards to extremely dense textures through evolving rythmic cells, while the Vaporizer is more adapted to particle clouds and trajectories. All their multiple sounds are spatialized with the same powerfull 24 points Spatial Shaper and Animator as the other SpatStruments.
What distinguishes it more is its Gesturizer Pad and gesture Sampler which gives a new level of spatial sound design.
The Gesturizer is also available as a MIDI plugin in the MiniTools Collection.

S p a t S t r u m e n t A L 2 4
The SpatStrument AL24 (for Animations and Loop) is a kind of spatial sound machine, which uses samples and synthesis to create animated textures.The Spatial Animation section is based on the same Spatial Shaper that other SpatStruments, but is more developped with the Path Animator. It can generate continuous 3D movements and combine them with a 16 nodes graphic path.
The Synthesizer section consists in 32 substractive synthesizers modules that can follow subtle variations or present totally different sounds thanks to its Deviation and Random parameters.
You can also use the Direct outputs mode to send the 32 Synthesis voices to be processed with the SpatStrument FX24/32 or dynamically mixed and binauralized in SpatStrument VB32.
The Sample section looks rather simple, but like the Synthesis, its main parameters can be modulated according to the 16 spatialized voices, which can make evolving or rythmic patterns.

S p a t S t r u m e n t F X 2 4 / 3 2
Multichannel are now rather common, and great series as MeldaProductions (64 channels) or highly specialized ones like SoundParticles or AudioBreewers can be very creative. But the majority of them simply process the sound in parallel, with the same settings for the whole space. They are also logically focused on standard spatial formats, like spherical or cinema kinds, and are generally incapable to process more open ones.On the other hand, since twenty years, the purpose of Acousmodules is to integrate sound and space design as tightly as possible and to allow to explore speaker spaces totally freely.
SpatStrument FX24 is based on Acousmodules’s original Scatter series, which offers a simple way to handle hundreds of parameters values while modulating them intuitively and efficiently.
Its effects, connected in series, are rather classical – Pitch and Frequency Shifter, Delay, Multimode Filter, Reverberation – but their multichannels combinations brings new possibilities, even reduced in surround or stereo output 😉
It can be used in Direct Channels Mode to process sounds coming from other plugins like the

S p a t S t r u m e n t V B 3 2
The SpatStrument VB32 is by some aspect simpler to use than other SpatStruments since its input and output spaces are fixed: a one or two layers 32 channels grid for the inputs, and 8 points arranged in circle or cube for the outputs.It is because its spatialization mode is quite “inverted”. Instead of moving sources between output points, it is the output group which is moved inside the inputs space, like we will do in a 6DOF VR game… or in real spaces.
It can work very well for an octophonic production, but it is mainly intended to be used in binaural, either with the internal convolution module or an external processor.
The Cube output brings support for 360° immersion, but to be honest binaural is generally not so good with elevation and the 2D/Circle mode seems to be better most of the time…
It can be simply played with the mouse for the horizontal plane, or better with a 3D gesture controller.
Exemples of use:
– binaural mix with movements (or octophonic spatialization) of 32 mono tracks
– replacements of the spatialization section of the SpatStrument FX24/32
– interactive sound design with SpatStrument AL32
See also SpaceXplorer plugins.

S p a t S t r u m e n t C 2 4
The SpatStrument C24 can be used in two ways: to convert or adapt one spatial format to another, or to spatialize/transform the spatial mass of a sound of up to 24 points. In the first case it must be generally inserted at the end of the production or diffusion chain, in the other one it can be on a track like a panner or directly on an object (Reaper).In both cases Input and Output can have up to 24 channels, represented on a plane for 2D and most Periphonic spaces, or in 3D for Volumetric sounds and formats.
The precise arrangement of the points is done directly on the two views (top and front) allowing adjustment by ear during processing, which is particularly useful for format adaptations. These configurations can also be imported and exported for easy exchange with other SpatStruments.
The transformation of spatial masses is carried out globally with a few simple controls: their position in three dimensions, their orientation (Yaw, Pitch, Roll, Fold) and their 3D Scale ratio, allowing them to be reduced to a line or even a point. If automated, these shapes movements can follow non linear organic animations thaks to the Delay and Glue parameters.
For difficult cases or to obtain more free spatial effects, the Fader Mode provides up to 64 outputs to connect to each 24 inputs, and adjust up to 4 output levels for each one.

S p a t S t r u m e n t T 2 4
Whatever the space is, however abstract it can be like with ambisonics coding and OBA, there is always one moment where arises the question “what channel goes to what speaker?”, or simply when having a visual confirmation of what you hear can help to make good choices. There is also the need for calibration and all these little level adjustments, and also, particularly important, the Bass Management, which can not only produce a good sound but also can help unify the entire space of a speaker system. Last but not least, some hosts actually cannot record the multichannel sound that you produce…The SpatStrument T24 is an All-In-One tool to put at the end of the production path, generaly on the Master track, eventually after the decoding or rendering stage, just before the soundcard and the speakers.
At the difference of the other SpatStruments, it does not create sounds and spaces, but it can be used in a wide range of production and show situations. You will also find a downscaled version of the Peaks, Test and Router section as separated MiniTools.
If 24 channels is not enough and if you prefer modularity, see also the 64 channels SpacedTest, SpacedView, SpacedRoute-S, MultiLevel, SimpleBass and SimpleAnalyzer.

Requirements & installation:

Visit Developer Site

Acousmodules.SpatStrument.bundle  ( 68 MB )

32 MB

MidBoss is mid-frequency targeted saturator and sweetener with 6 different types!

While it mostly saturate mid-frequencies, it will shape high-end or low-end response according to selected type.

FEATURES

– Type : 6 different types for different sounds

– DRIVE : It will shape and saturate signal

– MIX : It will blend processed and processed signal

– OUT : +/- 15dB clean output (Screw adjust)

– I/O : Bypass

Resizable interface. Simple “Bottom Right Corner Handle” to resize. 50% to 200%.

*Resizing Tip: When you duplicate plug-in, it will remember current state of GUI size. But if you load new instance, it will be opened at default size. To get rid of this issue, simply follow these steps;

1. Open plug-in for the first time

2. Resize GUI according to your screen resolution or you liking before setting any knobs

3. Save this state as default preset with your DAW

Now, you will be able to load new instances with same size.

(If you want to go default size, simply double click to resize handle.)

Version 1.0 – 20.10.2025

– Initial Release

Available Formats

VST3 / AU / AAX Native – Audiosuite | Mac 10.11 or Higher | Intel / Apple Silicon

VST3 / AAX Native – Audiosuite | Windows 10 – 11

Mac Versions require a graphic card that supports “Metal”

Windows Versions require a graphic card that supports “OpenGL”

Visit Developer Site

MidBoss_1.0_WIN  ( 19 MB )

MidBoss_1.0_MAC  ( 19 MB )

64 KB

Chiastic Slide:
Smoothly crossfade between any number of child tracks in a group or chains in a preceeding Instrument Rack or Audio Effect Rack device. Allows for crazy tempo-locked layering.
Chiastic Solo:
Gives you a knob to control which track or chain is soloed in a group or rack. It makes some workflows in mastering or creating albums easier by letting you map a hardware knob to track selection. Requires an options.txt workaround with Live 12.
SimulScrub:
Plays a number of contiguous time segments of an audio file simultaneously, with a flexible crossfader control to select which segment(s) you want to hear. This allows you to scrub through time of a longer sample, while always playing the sample at 1x speed.
TapPanZeit:
A bucket-brigade delay tap field with control over timing and stereo placement of each tap. Up to 128 taps + an insane feedback control.
zs Feedback Matrix:
This effect rack device is two independent effects channels (chains) that have complete feedback capability, both per-channel and between channels! You can put any effects in either chain, and experiment with feedback and cross-feedback.
zs Send Duck Rack:

An audio effect rack that provides controls like an effects send, as well as a ducking feature for any effect.

HOME

zs-m4l-AudioEffects  ( 0.6 MB )

120/231 MB

ike in a hardware workshop, besides the big machines, we often need little tools that may come handy, one day or another, for a specific task or just to avoid to use the big one for such a thing …
Nevertheless, this “MiniTools” collection can complete the SpatStruments series with interesting features that, for different reasons, has not been included in them. Some are adapted from regular Acousmodules (MiniDeco, MiniKeys, MiniPass…), others are just extracted from bigger ones, but a few are totally original (underlined). They constitute a modular multichannel ecosystem which can be useful for a large variety of creative or technical tasks.
They are suitable to sounds and spaces up to 24 channels (and sometimes more…). Note that Nuendo and Studio One are currently not compatible with plugins with more than 24 channels.

They are available for Windows as VST3 and for MacOS as Audio Units and VST3. Some of them are working well in Linux with Yabridge (separated download). Mac (MX = x86 and MA = Arm) and Linux (L) compatibilities are indicated below.

Plugins:

MiniAdd: 24 harmonics additive synthesizer with spatialized harmonics balance and outputs (experimental!)

MiniBinoct: binauraliser for octophonic circle format only (centered), which is very common in electroacoustic music but nearly always forgotten in commercial preset based plugins. Works also for 5.1 and 7.1 formats. With KU100, Kemar and Rooms HRTF model files.

MiniCurve: SpatStruments have already some means to adjust Aftertouch sensitivity and curve, but this one may be usefull with particularly bad controllers or to obtain special gestures.

MiniDeco: subtle multichannel decorelations or massive delay effects, mono or multichannel input.

MiniDyn: 32 channels dynamic amplitude modulation, present in SpatStrument AL32.

MiniFade: amplitude spatialization basis, which doesn’t mean that it is not powerfull, but it may not be easy or fast… (up to 64 output channels).

MiniFoll: Pitch and Amplitude signal follower to animate the X/Y position and the Area Volume.

MiniFreeze: multichannel FFT spectral freezer.

MiniGest: use SpatStrument GR24’s Gesturizer and Gesture recorder with other SpatStruments and plugins! Be aware that some hosts don’t support VST3 MIDI Out. Does not work in AU version.

MiniKeys: use MIDI Notes as gates to spatialize a mono or a multichannel input to up to 24 outputs, with ADSR and arpeggiator. An interesting alternative to panners…

MiniLine: spead up to 18 inputs to up to 24 outputs, according to their position along a virtual line, it adjustable size and shape interpolation.

MiniLink: select one input channel among 32 and send it to one output among 24, all the other ones are blocked.

MiniMeta: extremely light incarnation of Audiomulch’s Metasurface, with only 4 interpolation zones and 16 parameters. Nevertheless, it can send MIDI and process 16 audio channels levels.

MiniMID: generate a few CC messages, usefull for MIDI Learn or when you need to test a control without a controller. In Reaper can also be used on an object to control and automate a plugin on the track. Does not work in AU.

MiniMix: every SpatStrument can directly or indirectly work in stereo (even if it is a shame…), but this little tool can help to downmix 24 channels spaces into stereo, with easy and false distance simulation.

MiniMon: simple, but always usefull, MIDI messages monitor, entirely based on Sasha module. Does not work in AU version.

MiniMorph: morphing between four free 16 channels spatial configuration in an up to 24 channels Periphonic space.

MiniMove: animate a multichannel sound from inside following a LFO shape and rate, from 2 to 24 channels.

MiniPass: the contrary of MiniSpat (and any panner), a band-pass/notch-like “spatial filter”. Its main purpose is to work with a multichannel input, but it can also be used with a mono input as an interesting kind of “mass diffusion tool” together with MiniDeco.

MiniPatch: simple 24×24 wired patch, support simultaneous connexions.

MiniPatt: pattern based spatial mover for 1 to 8 inputs in a “1D” 24 channels space.

MiniPitch: 32 channels average quality 2 octaves pitch shifter, input can be 1 to 32 channels. You can compact the 32 channels output to less with the MiniScale.

MiniRev: discrete channels FDN Hall reverb.

MiniRez: 32 channels resonator, for subtile coloring or long (in)harmonic tails, with interesting agitation modulation.

MiniRoom: poor-(wo)man WFS, or better, a multi-delay FX based on spatial positions. Room size can be defined from 5m to 1000m wide…

MiniRoute: send 24 inputs to 24 ouputs, can import and export the patch files from the SpatStrument T24.

MiniSamp: record and play an up to 24 channels sound, with multimode filter and ADSR, supports Polyphonic Aftertouch. It is also suitable for 1st to 3rd order ambisonics sounds.

MiniScale: compress the 32 channels sounds produced by SpatStrument GR24, AL24, PL32 or FX24/32 down to 1.

MiniShaper: Spatial Shaper section from most SpatStruments, 1 to 32 inputs to up to 24 outputs (without animations). It can import and export Spatial configurations files.

MiniSpat: yes, a mono input “panner”! BUT it can do things that others don’t. For instance:

MiniSplit: split a mono input into 8 frequency bands / 8 outputs, to be spatialized or sampled.

MiniTest: the SpatStrument T24 can do a lot of things, but it may be not necessary when all you need is to generate a signal.

MiniView: if you have only one screen, the very usefull peaks view of the SpatStrument T24 may take too much space. This one cannot edit the spatial configuration, only import existing ones, but it is smaller 😉

MiniVerb 24: multimode reverberation, channels are processed by two.

MiniVol: Volume and Mute by channel, plus a master Level.

HOME

SpatStrumentsMiniTools  ( 120 MB )

SpatStrumentsMiniToolsMac  ( 230 MB )

47/430 MB

The IEM Plug-in Suite is a free and Open-Source audio plugin suite including Ambisonic plug-ins up to 7th order created by staff and students of the
Institute of Electronic Music and Acoustics.

Featured Plug-ins
DualDelayThe DualDelay has been one of the first plug-ins in the IEM Suite. Therefore it was time for a big makeover! It has been optimized to suite needs of composers and musicians by adding a sync-to-DAW function, a tap delay button as well as moving from milliseconds to BPM with multiplies for setting times. As cherry on top, it doesn’t only support a rotation of the signal, but also warping!

GranularEncoderThe GranularEncoder is an Ambisonic granular synthesis plug-in. That’s right, it is the first Ambisonic synthesizer plug-in released in the suite! The best thing about it: you can use any mono or stereo audio signal, and turn it into an enveloping sound scene, or crush the signal into microscopic sonic particles!

MultiBandCompressorThe MultiBandCompressor is a very handy tool in your project’s mastering stage! It works like a stereo multi-band compressor, however, it will make sure the spatial image is not altered! The Ambisonic input signal is split up into four bands, which can be compressed individually.

StereoEncoderUse the StereoEncoder plug-in to encode mono or stereo audio signals into the Ambisonic domain – up to 7th order. The interface lets you easily set the orientation, width and rotation of the stereo pair. With a simple double-click onto the SpherePanner you can change the display to a linear elevation, which gives you a higher accuracy towards the horizon.

With help of the Quaternion input, you can use use data from orientation trackers (e.g. headtrackers) to steer your source into the right direction.

RoomEncoderThe RoomEncoder is so far the most complex and computation-intensive plug-in within the IEM plug-in suite. It allows you to put a source and a listener into a virtual shoebox-shaped room and render over 200 wall reflections. Perfect to enhance the externalization of binaural playback.

You can move the source and the listener freely within the room, which will automatically generate Doppler-shift effects. Use the overall reflection coefficient and the low-shelve and high-shelve filters to change the character of the reflections.

But thats not all: The RoomEncoder can make use of DirectivitySignals as an input signal. This means that your source can have a frequency-dependent and time-variable directivity. The DirectivityShaper plugin is a good tool to create various directivities.

AllRADecoderWith the AllRADecoder you can design an Ambisonic decoder for an any desired loudspeaker layout using the AllRAD approach.

The resulting decoder is automatically applied to the incoming Ambisonic audio stream, so it can be directly inserted into a decoder track of your audio project. You might also want to use it as a standalone application to design a decoder and write it into a JSON configuration file for the use in other plug-ins (e.g. SimpleDecoder).

EnergyVisualizerThis plug-in is perfect for metering the spatial image. The EnergyVisualizer visualizes the energy distribution on the sphere of the Ambisonic input signal. The energy levels are color-coded according to the color map. The Ambisonic Signal is decoded using 480 virtual loudspeakers with a subsequent RMS calculation and OpenGL visualization.

HOME

IEMPluginSuite_v1.15.0  ( 430 MB )

IEMPluginSuiteInstaller_v1.15.0_x64  ( 47 MB )

586 MB

VST Plugin Bundle by Ocean Swift Synthesis with all Expansions. VST3 Support ADDED!

All the products included in the Ocean Swift Synthesis VST Legacy Bundle: Aeolian Dream Box, Aeolian Mediation v2, Defiant WT, Music Handyman Toolbox, OSC-MIDI Server Pro, OSS Enterprise, Polyphenom, Polyphenom 2, QuirQuiQ, kicksShruti Box VST, Wavetabler, Xbox PS MIDI Control v2.5 & v3.2, Kalimbaba Kontakt & Shruti Box Kontakt, Faxi Nord Modular Pack ABC, M4L Controllers

OSS Enterprise – Hybrid Wavetable / FM / Vector Synthesizer

A powerhouse of synthesis capabilities and sound manipulation.
OSS Enterprise is a hybrid Synthesizer exploring vector, additive, subtractive & wavetable synthesis. Enterprise is a multifaceted instrument with great versatility, it offers 4 groups of oscillators with many options and sonic approaches.

Polyphenom – Hybrid Wavetable / Additive Synthesizer

Effortlessly create complex sounds and evolving textures – Advanced synthesis for groundbreaking sound design.
Polyphenom is an immersive polyphonic additive-subtractive hybrid synth with an extensive feature set and built in effects.

Aeolian Meditation & Dream Box – Additive Synthesizer

Dive into ambient textures and ethereal soundscapes.
Aeolian Meditation is a complex addictive-additive synthesizer playground with a unique a-symmetrical design capable of generating unique and beautiful melodies, meditative and Hypnotic drone tones, movie and musical soundscapes.

Defiant WT – Wavetable Synthesizer

Fun, quick, and quirky wavetable synthesis.
Slick and compact but packs a powerful punch and a host of advanced features. Providing wavetable, additive and subtractive synthesis in an efficiently clever design with a unique modulation arsenal, Defiant WT is creative, grungy, intuitive, fun and to the point.

Home

Ocean_Swift__Synthesis_-_Legacy_Bundle  ( 586 MB )