10.5 MB

Vinland Drive is a vintage tape emulator designed to bring the behaviour, tone, and movement of a tape machine into modern sessions. Its processing is built around a dynamic tape-inspired signal path that adds saturation, soft compression, record/playback coloration, gentle low-end rounding, and softened high-frequency texture while keeping the source musical.

Under the hood, Vinland Drive is not just a static saturation stage. It uses level-dependent harmonic response, hysteresis-stile saturation behaviour, subtle drift and modulation, stereo decorrelation, envelope-following noise texture, and oversampled nonlinear processing to recreate the feeling of a machine that reacts to the signal rather than simply coloring it. The result can range from gentle analog thickening to a more pushed, worn, and characterful tape tone, with added depth and perceived width.

FEATURES
– Dual drive structure with Input and Heat gain stages
– Automatic gain compensation for smoother drive staging
– Output level control
– Oversampling
– Bypass control
– Tape-inspired saturation and soft compression
– Level-dependent harmonic generation
– Frequency-aware harmonic shaping with high-frequency harmonic control
– Hysteresis-style tape response
– Record/playback-style tone coloration
– Softened high-frequency texture
– Internal machine variation, bias drift, and head drift
– Wow, flutter, drift, and transport-style modulation
– Stereo crosstalk and decorrelation for added depth and perceived width
– Envelope-following hiss and noise ducking
– Subtle tape wear, smear, dropout, and age-style artifacts

Visit Developer Site

Vinland.Drive.1.0.0  ( 10 MB )

124 MB

GRIM3 is a free Aurora DSP overdrive made for players who need a tight, aggressive front-end push before an amp or amp sim. It combines a familiar boosted drive feel with deeper tone shaping for modern high-gain guitars, bass layers, and focused riff production.

Tight pre-gain low-end control
Low and High EQ shaping
Blend control for dry/wet drive balance
Bite control for midrange focus

About
Built for chugging, GRIM3 can work as a transparent clean boost, a tone warmer, or a saturated overdrive that tightens the input stage before your amp. The control set lets you cut boom, add bite, balance dry attack with driven weight, and push the output into the exact amount of impact your mix needs.

Tight
Trims low end before gain.
Blend
Mixes dry signal with drive.
Bite
Moves the midrange focus.
Level
Sets the final output push.

Visit Developer Site

Grim3.0.9.0  ( 133 MB )

26.4 MB

Analog Buffer Plugin. A free pedal-buffer and cable interface that models the small electrical interactions often lost when recording directly or using a wireless system. Explore different input loads, active-device characters, output impedances, and cable lengths to bring cable-induced tone and feel back into a wireless or in-the-box signal chain.

Key Features
– Complete Buffer Signal Path — Models input loading, input buffering, coupling capacitance, active-device colour, protection-stage nonlinearity, bandwidth, output impedance, and cable capacitance
– Eight Buffer Voicings — Choose from eight generalized circuit profiles ranging from coloured pedal-style buffers to high-impedance, transformer-coupled, and clean studio-style responses
– Nine Active-Device Characters — Compare transistor, field-effect transistor, transformer, and six op-amp-style responses
– Passive / Active Input — Changes source impedance and loading behavior to suit passive instruments or active and line-level equipment
– Cable Simulation for Wireless Setups — Select no cable or 1, 3, 5, and 10 meter cable lengths. This lets wireless users restore the subtle loading and high-frequency change normally introduced by a physical cable
– Trim — Adjust the level entering the modeled circuit from -24 to +24 dB
– Gain — Set the modeled output stage from -12 to +18 dB
– Fixed 4x Oversampling — High-quality oversampling keeps nonlinear stages smooth
– Stereo processing with parameter smoothing

Wireless systems are increasingly common, but removing the instrument cable also removes part of its electrical interaction with the signal. BufferCareler lets you add that cable-induced tone back while keeping the convenience and freedom of a wireless setup.

It can sit at the start of a chain to recreate the loading and high-frequency interaction of a physical setup, or at the end to explore how output impedance and cable length affect the signal feeding the next device.

Visit Developer Site

BufferCareler.1.0.0  ( 26 MB )

15.2 MB

Harmonic Bass Enhancer. Continuous frequencies and continuous boost. Great for materials for weak low-end. You will get low bump directly when you load plugin. Then, you can choose your frequency and boost according to your need.

Features
– FREQUENCY: 60Hz to 180Hz continuous frequency
– BOOST: 10dB continuous boost
– OUTPUT: -10dB to +10dB output
– PLUGIN LABEL: Bypass button. It’s red and when you click it to bypass plugin, it will turn to white.

Visit Developer Site

LOVEND.3.0  ( 15 MB )

21 MB

Dynamic tube overdrive. Evergreen captures the feel of a cranked tube amp – the way it breathes, sags, and responds to your playing dynamics. It’s designed to respond to dynamic playing instead of being just another overdrive.

This effect combines classic mid-hump overdrive (you know, the green one) with advanced dynamic modeling for an organic, amp-like response.

Features
– Touch-sensitive drive that responds to playing dynamics
– Power supply sag simulation for natural compression
– Asymmetric clipping with even harmonic warmth
– Cabinet body resonance for amp-like fullness
– Classic 3-knob layout: Drive, Tone, Level
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Low drive: Clean boost with subtle warmth
– Medium drive: Strong sustain with touch response
– High drive: Thick, warm, compressed saturation

Play soft for clean tones. Dig in for breakup. The harder you play, the more it pushes back.

Visit Developer Site

Evergreen  ( 21 MB )

20.9 MB

Bit depth and sample rate reducer. Bit Crusher reduces bit depth and sample rate to create that crunchy, lo-fi digital sound. Think vintage samplers, early video games, and broken digital gear.

Features
– Bit depth reduction (16-bit down to 2-bit)
– Sample rate decimation for aliasing artifacts
– Mix control for parallel processing
– Output gain control
– VST3 + CLAP + AU formats
– macOS (Intel + Apple Silicon), Windows, Linux

Sound
– Subtle: Gentle warmth and texture
– Medium: Classic 12-bit sampler crunch
– Extreme: Glitchy, destroyed digital chaos

Visit Developer Site

Bit Crusher  ( 20 MB )

29.3 MB

Shape your tone and bring back the buried musical energy.

1. Auralume Saturator adds only the harmonics that matter, enhancing your sound with musical depth through simple and intuitive controls. While “saturation” can easily become harsh, excessive, or reduce the perceived size of the original signal, this plugin avoids those unwanted side effects. It is designed to provide just the right amount of energy and presence without introducing haze or musical clutter.

2. The SILK mode delivers a smooth and cohesive character, refining the top end without introducing harshness. It brings clarity and a silky texture to vocals and other aggressive or bright tracks, adding presence and polish while maintaining natural balance. This mode enhances detail without pushing the sound into unwanted sharpness.

3. The WARM mode provides greater thickness, power, and harmonic breadth. Compared to SILK, it produces a fuller and more expansive tone, making it well-suited for guitars, drums, and powerful vocal styles. It enhances body and intensity while preserving natural warmth, resulting in a sound that feels both strong and organic.

Supported OS
Windows 10 or later / macOS 11 Big Sur or later

CPU
64-bit Intel processor or Apple Silicon (native support)

Memory
8 GB RAM or more recommended

VST3 (64bit)
AU (64bit)
AAX (64bit macOS only)

Visit Developer Site

Auralume.Saturator.Lite.1.0.1  ( 29 MB )

186 MB

High-Gain Preamp from Beyond the Grave.
Enter the crypt of tone. Nosferatu is a special Halloween edition preamp plugin — a boutique-inspired distortion beast that brings the undead spirit of tube saturation to your DAW.

Stomp
It starts with a dual-mode preamp:
Main Drive — thick, aggressive distortion with classic high-gain character.
Boost Mode — adds extra bite and voltage for when the night demands blood.

Power Amp
The tube power amp section gives life to your tone, complete with Presence and Resonance controls that let you shape your attack like a sharpened stake.

Cab
Paired with a cab simulation featuring two distinct voicings, Nosferatu covers everything from tight modern metal to doomy, decaying sludge.

Additional Tools

Tuner
Tuner, Recorder, and Metronome – stay in tune and in time, no matter how chaotic the ritual.

Transpose
Transpose Control – drop your tuning without touching a single tuner.

Studio Environment
The sonic ambiance of a recording studio with Studio Environment Listening option.

Presets
Preset System – summon your favorite tones instantly.

Build-in Gate
GateMate™ Noise Gate – keeps your signal clean, even when the undead hiss.

MIDI
Complete MIDI compatibility, enabling seamless integration with a wide range of MIDI devices.

Visit Developer Site

Nosferatu_1.0.0_WIN  ( 54 MB )

Nosferatu_1.0.0_MAC  ( 150 MB )

45 MB

An audio mixing plugin for Windows only (there is no compatible impulse loader module for MacOS). YS – PreAmp-IR allows you to load impulse responses from various microphones, tape recorders, and other equipment to simulate analog devices. Two IR loaders are connected in parallel by default, with the output of a third IR mixing them. Impulse loaders can be loaded from any directory on your drives.

After loading, save the preset for quick access the next time you insert the plugin. If the controls are not displayed due to a weak graphics card, replace the images in the root of the plugin folder with a smaller renderer from the “Knob to change” Knob 51 archive. By default, all controls are set to smoothly switch at frame 101. If you have issues with VST3 in some DAWs on Windows, try VST2. For fine-tuning, hold down the Ctrl key.

Visit Developer Site

YS_PreAmp-IR_v1.0.0  ( 45 MB )

12 MB

YS – Console AMP An audio plug-in for inserting into each track in a DAW to simulate an analog mixer console, to add color to each channel with slight differences in processing.

Harmonics and dynamic noise are added parallel to the main signal. In Linear Input mode, saturation is insignificant compared to Mic Input mode.

For a greater difference between channels, you can turn on the mode that adds a comb filter. The “Random” button randomly switches the saturation, noise and filter settings for the left and right channels.

Visit Developer Site

YS_-_Console_AMP_v_1.0.0  ( 12 MB )