11 MB

Clipping restoration. UnClip repairs short peaks damaged by hard digital clipping. It detects flat-topped overloads, reconstructs a plausible waveform through the damaged area, and changes only the samples it identifies as clipped. There is no threshold or repair amount to set — insert it on the damaged track, create output headroom if needed, and let it work.

01. Find clipping below 0 dBFS
UnClip looks for the shape of hard clipping instead of assuming the damage sits at 0 dBFS, so it can still recognize peaks that were clipped and turned down later.

02. Rebuild the curve
Accepted flat-topped peaks are reconstructed from the clean samples around them. Only the samples identified as clipped are written back to the output.

03. Make room after repair
Output trims the reconstructed signal by up to 24 dB when you need headroom for repaired peaks before EQ, compression, saturation, or export.

How to repair hard-clipped peaks after recording

Visit Developer Site

UnClip.1.0.0  ( 11 MB )

49 MB

Not the most versatile diode-bridge compressor! DiodeCrush is fully passive, heavy crush compressor with a lot of sustain. Dirt, pump, sustain and more!

FEATURES
– GAIN : Clean input gain to feed compressor
– OUTPUT : Clean output control
– MIX : Will blend dry and processed signal
– BY : Bypass

Visit Developer Site

DiodeCrush.1.0  ( 49 MB )

53.96 MB / 163.06 MB

BOOST: One-Knob Loudness & Tone Enhancer
BOOST one-knob loudness and tone enhancer plugin
Four Ways to Bring Your Sound Forward
Give your drums more impact, bring a melody forward, or add the finishing touch to a full mix.

Choose Shine for brightness, Warm for a warmer character, Loud for density, or Glue to bring the sound together.

Each mode treats the low, mid and high bands differently, lifting quieter details, controlling peaks and shaping the stereo image.

From a Subtle Lift to a Bold Finish
Use a little BOOST to add presence to an individual sound, or turn it further to give a track more weight and energy.

With four distinct starting points, you can quickly find a treatment that fits the material, from drums and bass to vocals, instruments and the mix bus.

Push the Output Further
The Output knob drives a built-in soft clipper, rounding off peaks as you push harder.

Add extra level and edge, then use the input and output meters to keep an eye on the result. A bigger sound is just a mode and a knob away.

Four Modes, One Knob
Pick the treatment that fits the material, then turn one knob:
Shine
Brightness and air for sounds that need to cut through.
Warm
A warmer, rounder character for body and smoothness.
Loud
Density and level for more weight and energy.
Glue
Brings the elements together for a cohesive, finished sound.

Visit Developer Site

Boost.1.0.1.WIN  ( 54 MB )

Boost.1.0.1.MAC  ( 163 MB )

4.09 MB

Four ways to punch up — or soften — a transient.

A transient designer offering four distinct shaping algorithms behind one Attack/Sustain pair, from a clean differential-envelope approach to a fully independent 3-band multiband mode.

Features:

Differential Envelope algorithm — classic fast/slow envelope-difference transient detection and shaping

Saturator-Assisted mode — adds a dedicated Drive stage into the shaping path for extra punch and harmonic weight

Multiband mode — independent Attack/Sustain per low/mid/high band with adjustable crossover frequencies

Expansion/Compression mode — ratio-based transient control for subtler, program-dependent shaping

Shared Sensitivity and Hold controls plus output gain and bypass

Real-time transient visualizer showing the detected envelope against the input waveform

Visit Developer Site

Transient Shaper Setup  ( 4 MB )

116 MB

CM-1B: Vintage Analog Opto Compressor Plugin
The Vintage Opto Compressor That Adds Weight And Glue To Any Source
CM-1B is a vintage analog opto compressor modeled on a legendary Danish unit, bringing weight and glue to vocals, drums, guitars, and pianos.
Smooth, musical compression with a simple set of controls, so any source sits in the mix without losing its life.

The Compressor You Reach For When a Vocal Needs to Sit Just Right
Some compressors control the volume. The right one makes the whole performance come together.

And it goes well beyond vocals.

Give bass a steady foundation, add breathing weight to drums, or push room mics into thick, sustained compression. Use the parallel blend to bring that energy back underneath your original signal.

How Does CM-1B Work Exactly?
Load CM-1B onto your track, lower the threshold to introduce compression, and set the ratio for how firmly it controls the signal.

FIXED: Effortless Vocal Leveling
Built-in attack and release behavior follows the performance phrase by phrase. A natural starting point for smooth, consistent vocals.

MANUAL: Shape the Movement
Take control of attack and release to dial in the response yourself. Preserve the punch of a drum hit, soften sharp transients, or bring out the sustain in room recordings.

FIX/MAN: Fast Control, Smooth Recovery
Combine a fast fixed attack with a release that responds to the passage, catching sudden peaks while recovering more gradually through sustained material.

Visit Developer Site

Cymatics.CM-1B.0.2.5  ( 116 MB )

4.82 MB / 12.63 MB

One sidechain plugin with four engines: a ducker that follows your kick, a tempo-locked volume shape you can draw, audio-rate ducking straight off the trigger’s waveform, and a spectral carve that only takes the bands the sidechain is using.

Four sidechain engines in one plugin, each solving the same problem a different way: getting your bass, pads and vocals out of the kick’s way.

DUCK: follows the signal
A ducker with 5 ms lookahead that reacts to what your kick actually does: its level, its timing, its groove. Attack, Hold and Release shape the response; Peak, ISP or RMS detection decides what “loud” means. Range goes past 100%, so quieter hits still duck hard. With nothing plugged into the sidechain it becomes a limiter against the threshold.

LFO: locked to the clock
Volume automation that ignores the sidechain entirely: a shape locked to host tempo, from 4/1 down to 1/32, that pumps identically every bar whether or not a kick plays. Saw, sine, triangle, square — or draw your own curve with breakpoints and bendable segments, snap it to the grid, and watch the playhead run through it. Trigger from the beat grid, or restart the shape on any MIDI note.

RING: sample-accurate, no lag
Audio-rate ducking: the trigger’s own waveform, rectified, becomes the gain.
No envelope follower means no attack or release lag — the input is driven down on the exact samples the trigger peaks on. Smooth rounds the edge when the zero-crossings get crunchy. Source switches between the sidechain and an internal oscillator.

CARVE: room in the spectrum, not the fader
Instead of turning everything down, a third-octave filter bank listens to the sidechain and cuts only the bands it is actually using. The two stop fighting over the same frequencies while the rest of your input keeps its level. Tilt weights the carving toward highs or lows; Smooth shares a cut with neighbouring bands.

WHAT’S IN IT
– Stereo sidechain bus, with a Stereo control from fully linked to each channel following its own side
– Mix and Output on every mode
– 5 ms lookahead, reported to the host and compensated — it never changes, so your host never restarts the plugin mid-session
– Every control is a host parameter, automatable by name; the drawn LFO shape saves with the project
– A level scope showing the input and the gain being applied to it

Visit Developer Site

Cider.0.1.0  ( 17 MB )

52.7 MB

Free Bus Compressor with Multi-Instance Control. Bring a mix together, give drums more punch, or blend in a little extra density. An independent take on British console bus compression — with connected control across your Gluon instances.

Open Gluon Map from any instance to see the settings and levels of connected instances. Adjust them individually, or use Global Control to make relative changes across them — lower every threshold by 1 dB, for example — without opening a pile of plugin windows. Remote controls and meters work even when those windows are closed.

Press Learn and play ten seconds of your material. Gluon compares the input with the compressed blend and sets a fixed MakeUp gain to bring their perceived levels closer. The gain then stays put while you listen and fine-tune.

The independent output stage offers Hard Clipper, Soft Clipper and Limiter modes, with Off / 2× / 4× / 8× oversampling. You can use it with or without the compressor.

You also get:
– Expanded attack, ratio and release choices, including Auto release.
– Dry/wet mixing and adjustable compression range.
– External sidechain, HP/BP/LP sidechain filters and stereo link.
– A/B comparison, Undo/Redo and user presets.
– Five factory presets as starting points.
– Light and dark themes, with interface scales from 0.75× to 2×.

Visit Developer Site

Gluon.1.0.0  ( 53 MB )

6.52 MB

Authentic 76-style FET compressor, modelled as the circuit. Feedback detector, a gain cell that bottoms out, and distortion that rises with the compression.

Features
– Two Controls: INPUT drives the signal past a fixed threshold, OUTPUT puts back what that cost
– Three Timings: FAST, NORMAL and SLOW select attack and release together
– Stepped Knobs: 21 detents each, 3 dB apart, 0 dB at the centre – hold Shift for 1 dB
– Full Metering: Stereo input and output peak meters plus a gain-reduction strip
– VST3 Automation: Full parameter automation support in DAWs
– Resizable UI: Right-click the panel for UI Zoom – 75%, 100% or 125%

FET Rack-Style Character
– Feedback Detector: Taken from the output of the gain cell, so the 4:1 is a closed-loop ratio that softens on its own near the threshold – no knee control needed
– One Sample of Loop Delay: The detector cannot see a sample until it has been through the cell, so the leading edge of a transient gets through
– Gain Cell That Bottoms Out: A hard floor at 38 dB of reduction; past that, driving harder buys distortion rather than compression
– Distortion That Tracks Compression: 0.02% at rest, 2.9% at 19 dB of reduction, because the device setting the gain is the device making the harmonics
– Four Amplifiers: Input transformer, gain cell, single-ended class-A preamp (2nd harmonic), push-pull class-A output into the output iron (3rd)
– Two-Constant Release: Fast and slow paths in parallel, the slow one weighted by how deep the reduction went
– Per-Stage Noise and Crosstalk: Every stage adds its own noise and leaks into the channel beside it; -40 dB total, -93.7 dBFS floor
– Component Tolerance: 2.5% per channel, so the two sides are never quite the same channel twice

Visit Developer Site

WetCompressor.1.0.1  ( 6 MB )

58 MB

CHILI CLIP: Visual FX Engine
The Sauce Behind Hard Hitting Mixes
Cymatics CHILI CLIP is a fast, punch-first soft clipper built to make drums hit harder, 808s feel heavier, and full mixes sound louder without flattening their energy.

Push your sound into the clipping stage with INPUT GAIN, control how aggressively the peaks get rounded with THRESHOLD, then use POST to set the perfect final level.

Three knobs. One visual graph. All heat.

The Sweet Spot Between Clean and Crushed
CHILI CLIP gives you the impact of aggressive clipping without immediately destroying the character of your sound.

As your signal crosses the threshold, harsh peaks are smoothly rounded down while the weight underneath is pushed forward. Drums become tighter, 808s feel denser, and entire mixes can reach a louder, more controlled level.

The extra sauce is INPUT GAIN. Instead of reaching for another gain plugin before your clipper, you can drive the signal directly into CHILI CLIP and hear exactly how the clipping stage reacts.

How Does CHILI CLIP Work Exactly?
CHILI CLIP smoothly rounds off the loudest peaks in your audio, giving you more control over the signal while increasing its perceived loudness and density.

The visual graph responds to your settings in real time, showing how the signal is being shaped as you adjust the controls.

There are no hidden pages or complicated menus.

Just drive it, clip it, and turn it down until it hits exactly right.

Visit Developer Site

Chili.Clipper.1.0.0  ( 58 MB )

32.7 MB

Stereo Clipper with XY Pad + Independent L/R & Mid/Side Control. The idea behind SURVIVE was to make clipping a little more controllable — not only in terms of how hard you push the signal, but also in how the character of the source responds as clipping increases.

You set the basic clipping with Input, Ceiling, and Knee, then use the XY Pad to shift the processing priority among four characteristics:

SUB – low-end weight
BODY – sustained midrange density
PUNCH – transient impact
AIR – high-frequency openness

SURVIVE can also process Left / Right or Mid / Side independently. Keep Link on when you want both components to move together, or unlink them to use separate Input, Ceiling, Knee, Mix, and Output settings.

The real-time waveform display aligns the input and processed waveforms on the same timeline and highlights the regions affected by clipping, so you can see what is actually happening to the signal while you listen.

For more detailed shaping, there are additional controls for Texture, Tone, Shadow, Shadow Time, Width, and Clean Sub.

Main features​
– Independent L/R and Mid/Side processing
– XY Pad for shaping SUB, BODY, PUNCH, and AIR priorities
– Real-time before / after waveform comparison
– Visual indication of the regions affected by clipping
– Input, Ceiling, Knee, Mix, and Output controls
– Texture, Tone, Shadow, Shadow Time, Width, and Clean Sub
– 2x / 4x / 8x filtered oversampling
– ADAA nonlinear clipping
– True Peak detection and ceiling control
– HQ Render mode for offline export
– Three comparison slots with Undo / Redo
– 65-sample real-time processing latency

Visit Developer Site

SURVIVE.1.0.0  ( 33 MB )