20 MB

Fairchild 660 emulation. MuChild brings iconic vintage compressor with extra features like side-chain filter, external side-chain and wet-dry blend!

FEATURES
– INPUT : Will set input level. This knob can create wonders!
– THRESHOLD : Will set compression. You can simply combine it with INPUT and get smooth leveling or heavily saturated compression.
– TIME CONSTANT : Will set attack and release time.
– SC FILTER : HPF filter up to 1kHz.
– DC : Will set ratio and knee.
– OUTPUT : Clean output volume control.
– EXT SC : Will engage external side-chain.
– MIX : Will blend wet and dry signals.

(No oversampling. Embedded light-weight anti-aliasing)

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MuChild.1.0  ( 20 MB )

4.50 MB

Authentic 80s rack-style digital reverb. 100% wet output with vintage 12-bit character and Schroeder-style diffusion.

100% Wet Reverb
Pure reverb signal output – no dry signal in the mix. Perfect for:
– Parallel processing with dry signal in your DAW
– Creative sound design
– Authentic vintage rack reverb simulation

80s Rack-Style Character
– 24 kHz Internal Sample Rate – Authentic vintage digital reverb with band-limited frequency response
– 12-bit Quantization – Classic gritty digital character
– TPDF Dither – Smooth quantization
– Stereo Crosstalk – Authentic L/R channel bleed simulating analog circuitry
– Early Reflections – Program-dependent multitapped delay lines for realistic room ambience
– HF Damping – Mode-dependent high-frequency rolloff

Schroeder-Style Algorithm
Parallel comb filters with damping followed by series allpass diffusion.

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WetReverb-v1.0.1  ( 4 MB )

31.6 MB

Shoegaze Multi FX. Two stages: fuzz and reverb. Each stage has true bypass.

Features
– Fuzz inspired by Big Muff
– 2 reverb modes: Soft Focus and Reverse
– Mix and output gain knobs

Fuzz
Dual-stage diode clipper with 4x oversampling. Gentle mid cut, tight bass. Balanced and good for everything. Classic shoegaze tone.

Reverb
Built on a stereo plate reverb. The Amount knob controls the character and density of each mode, and Mix blends wet/dry.

Soft Focus
Dense, dreamy, all-encompassing wash. Inspired by the Yamaha FX500 “Soft Focus” patch. Compression, EQ shaping, cross-channel delays, and a three-voice chorus on the reverb tail.

Reverse
Not a true reversed recording. Multiple delay taps play back with rising gain, so sound appears to rise in volume backwards. Psychedelic, ethereal effect. Ready to be used at 100% wet mix setting.

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Touched.Lite  ( 31 MB )

4.14 MB

Authentic 80s rack-style digital delay. 100% wet output with vintage 12-bit character and gritty warmth.

Features
– 100% Wet Delay: Pure delayed signal output with no dry signal mix
– 6 Delay Times: Switchable delay times (20ms, 40ms, 80ms, 120ms, 220ms, 400ms)
– Stereo Processing: Independent left and right channel delay processing
– Visual Metering: Real-time peak level meters for input and output
– VST3 Automation: Full parameter automation support in DAWs

80s Rack-Style Character
– 24 kHz Internal Sample Rate: Authentic vintage digital delay processing with band-limited frequency response
– 12-bit Quantization: Classic gritty digital character with 4096 discrete levels
– TPDF Dither: Smooth quantization with triangular probability density function dither (0.5 LSB)
– Vintage Filtering: 80 Hz high-pass and 9 kHz low-pass (6 dB/oct) for warm character
– Channel Crosstalk: Authentic -40 dB (1%) L/R channel bleed simulating analog circuitry

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WetDelay-v1.1.4  (  MB )

4.60 MB

Droplets is a plugin that aims to recreate the old 32 bit freeware plugin Water by xoxos, a physical water droplet model synthesizer that can create individual water bubble sounds, splashes or river sounds depending on the settings. I wanted to preserve it for the foreseeable future in vst3 form and of course in 64 bit. The old version still works in FL Studio, my favourite DAW, but not for example in Ableton.

While the original’s source code is not publically available, a brief technical description of the general methods xoxos used to make it was, and with big help of the Claude Sonnet AI I was able to recreate it in JUCE relatively well. I compiled a vst3 and standalone .exe program for Windows, but the source code which is included in the download also works for Mac and Linux!

It might not have all the functions of the original and sound a little different, but can sound quite nice and simple – don’t expect it to sound realistic though!

An explanation of the controls is provided in the download as well.

The plugin is free and the source code is open, meaning you are free to do whatever you like with it, but please do not sell it for profit unaltered.

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Droplets VST  (  MB )

40.9 MB

Molotok, a simplified version of TDR Molot GE, is a musically characterful dynamics processor. Meaning “Small Hammer” in Russian, Molotok provides a rich range of exciting compression colors at your fingertips.

While Molotok doesn’t emulate any “vintage” device, its sound and behaviour was definitely inspired by their most interesting musical peculiarities. This flexibility makes it a rewarding choice for almost any source in the mix, be it drums needing more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

Molotok relies on the same algorithms as its larger edition, Molot GE. As with all TDR plugins, Molotok employs state of the art audio processing technology keeping unwanted distortion under strict control. An intuitive and well documented user interface offers quick access to all relevant parameters in a rewarding manner. Several helpers such as unlimited undo/redo, optional stepped controls, inline help tips and many more features help the operator achieve consistent results within a short time.

Notable Features
– Full featured dynamics compressor
– Eleven musically intriguing compression flavour nuances
– Different quality modes including zero-latency operation
– High quality signal processing

System requirements
Win 7 or above, Mac OS X 10.9 or above. OpenGL support.

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TDR.Molotok.1.0.7  ( 40 MB )

38.1 MB

A darker, Polarity-modified version of Robbert van der Helm’s Spectral Compressor: per-bin upward and downward compression, pink-noise shaping, sidechain spectral matching, freeze, and IR export.

Main Input
The dry signal is captured for latency-compensated mix, bypass, match, and delta monitoring before the spectral processor runs.

FFT Compressor
The signal is windowed, transformed into FFT bins, shaped by the upward/downward compressor bank, then rebuilt with overlap-add processing.

Sidechain + Output
Optional sidechain analysis can drive matching or compression. Freeze can lock the current curve, IR export can save it, and output gain/match finish the comparison.

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Polarity-SC-Dark.0.5.2  ( 38 MB )

39.4 MB

Alesis Midiverb II and Microverb I emulators. The studio workhorse that defined affordable digital effects × 2 and The bedroom producer’s secret weapon.

There are two types of producers: those who think this reverb sounds “too colored,” and those who refuse to mix a track without it. We meticulously recreated this cult-classic unit because sometimes, perfection is boring. You use it when you want your synth to float in space, your guitars to smear into a lush nostalgic wash, and your mix to have a sound that’s unmistakably its own.

Seven Categories of Classic Effects
All 100 factory programs are included, organized into seven categories that cover every effect type the original hardware offered.

Dual DASP-16 Engine
The MDV-II goes beyond the original hardware with two mathematically modeled DASP-16 chips running in series. Unit A feeds into Unit B, so you can stack a reverse reverb into a chorus, run a gated verb into a delay, or chain any two of the 100 programs together. Each unit has independent program selection, mix, and bypass controls.

Pan-Spread Stereo
Each unit has its own pan control. With both pans centered, the signal runs as a pure series chain — you hear the combined result of A into B. Spread the pans apart and the two stages separate in the stereo field, letting you place each effect independently. It’s a smooth crossfade from stacked mono to wide stereo.

Faithful DASP-16 Emulation
The heart of the MidiVerb II is the custom DASP-16 (Digital Audio Signal Processor) chip designed by Keith Barr. The MDV-II faithfully recreates this chip, reproducing the signal flow of all 100 factory programs at the original 31,250 Hz internal sample rate. Every program produces the same output as the original hardware — including its characteristic warmth and bandwidth-limited charm.

Vintage Mode
Toggle vintage mode with the fuse icon in the toolbar to drop the internal engine from 44.1 kHz down to the original hardware’s native 31,250 Hz sample rate. This lowers the Nyquist ceiling to ~15.6 kHz and stretches reverb tails and delay times to match the original unit, reproducing its characteristic darker, softer tone.

Intuitive Controls
Input Level, Mix, Pan, and Output Level knobs give you precise control over signal flow. A/B buttons switch between the two engines, each with its own program, mix, and pan settings. A per-unit bypass button lets you disable either engine independently. The two-digit numeric keypad, arrow buttons, and drag-to-scroll LED display make program selection fast and familiar. All parameters are fully automatable in your DAW.

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MDV-II.0.5.4  ( 39 MB )

47.7 MB

A faithful emulation of the legendary Simmons SDSV electronic drum synthesizer. Every voice circuit has been meticulously modeled from the original hardware schematics — from the triangle oscillators and SSM2044 resonant filters to the OTA voltage-controlled amplifiers and CD4528 monostable timing circuits.

Eight drum modules — Kick, Snare, Hi-Tom, Mid-Tom, Lo-Tom, Floor Tom, Cymbal, and Hi-Hat — each with independent control over pitch, bend depth, decay, noise/tone balance, click intensity, filter cutoff, resonance, filter envelope, volume, and panning. A global drive control applies analog saturation across all modules simultaneously.

Every voice circuit modeled from the original SDSV schematics — from SSM2044 resonant filters and OTA voltage-controlled amplifiers to discrete timing circuits. Authentic analog saturation, soft VCA compression, authentic velocity dynamics, and circuit nonlinearity give HexaDrum the warmth, character, and punch of the real hardware. The result: an instrument that sounds and responds like the 1981 classic, not a digital imitation.

HexaDrum Demo

System Requirements

MAC:
macOS Ventura (13.6) or higher
(Apple silicon Macs supported)
64-bit only

PC:
Windows 10 or 11
64-bit only

MAC Users may have to confirm the use of unsigned software in their system settings for the plugin to work. Please refer to this guide on the Apple website or this YouTube tutorial.

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HexaDrum.1.0.Beta  ( 48 MB )

27.9 MB

Vocal Pitch Corrector. Most vocal tuners make you choose. You can sound perfectly in tune, or you can sound human. PitchCure gives you both.

It is a high-end vocal tuner. Some plugins turn real singing into robot sounds. PitchCure does not do this. It tracks the voice and keeps the real feeling safe. Words stay crisp. Breaths stay natural. The tuning feels subtle and natural.

It is built for fast work. You do not have to draw lines on a screen. Find your key with one click. Pick your voice range. Then, turn the main knobs.

Use Speed to fix bad notes. Turn up Humanize to keep the song’s emotion. Use Transition for smooth slides between notes. Use the Color knob to add rich tone.

You might want hidden tuning for a quiet song. You might want fast tracking in the vocal booth. Or, you might want vocals locked to your MIDI chords. PitchCure gives you great pitch that still sounds human.

Features:
– Transparent Tuning: Artifact-free, time-domain pitch shifting without metallic phase-smearing.
– Vibrato Protection: The Humanize engine actively maps and preserves natural vibrato and emotional expression.
– Fluid Transitions: Control the glide between notes—from instant hard-snaps to smooth, natural portamento.
– Auto Key & Custom Scales: One-click key detection, or build your own scales using the interactive Edit Notes matrix.
– MIDI Target: Override the scale and force the vocal to follow the exact chords or melodies you play on your keyboard.
– One-Knob Color EQ: A built-in tilt EQ to instantly add chest warmth (Dark) or brilliant air (Bright).
– Live Tracking Ready: Near-zero latency in Real Time mode, or switch to HQ for maximum processing quality during mixdown.
– Ultra-Light CPU: Highly optimized to run at low CPU, easily handling massive multi-vocal sessions.

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PitchCure.1.0.1-1.0.0  ( 27 MB )