8.25 MB

Harmonic Saturator & Air Enhancer. Introducing the CVA Labs Aether Stereo Exciter — a creative harmonic enhancer designed to breathe life, warmth, and top-end air into your tracks and mixes!

Whether you need to add presence to a dull vocal, inject analog-style bite into a bassline, or open up the top-end sparkle on your master bus, Aether Exciter delivers clean, musical harmonic generation without harsh digital artifacts.

Key Features:
– Harmonic Drive & Character: Add subtle tape-like warmth or push into aggressive dynamic saturation to help instruments cut through dense mixes.
– Frequency Band Control: Focus the harmonic processing exactly where it’s needed (Low warmth, Mid presence, or High-frequency “Air”).
– Mix / Blend Knob: Parallel processing built right into the DSP core for transparent enhancement.
– Zero Latency DSP: Optimized for both low-latency live tracking and heavy mixing sessions.
– Clean & Modern UI: Simple, intuitive interface designed for fast workflow decisions.

Visit Developer Site

Aether.Stereo.Exciter.1.0.0  ( 8 MB )

26 MB

GAMMA: Harmonic Color Resonator Plugin
Add Harmonic Color to Any Sound
GAMMA is a harmonic resonator that locks onto the frequencies hidden inside any sound.

It reshapes them into notes from your chosen key and scale, turning raw audio into glowing chords, shimmering harmonics, and melodic textures.

You’re not adding another effect — you’re revealing an entirely different side of the sound.

Reveal Hidden Ideas Inside Any Sound
Every sound contains frequencies waiting to resonate.

GAMMA locks onto those frequencies and reshapes them into notes from your selected key and scale, turning raw audio into glowing chords, shimmering harmonics, and melodic textures.

You’re not simply adding another effect.

You’re revealing an entirely different side of the sound.

How Does GAMMA Work Exactly?
GAMMA sends your audio through a bank of resonators tuned to your chosen key and scale.

Each resonator emphasizes a specific musical frequency, producing new harmonic layers that naturally follow the tonal direction of your track.

From bright melodic percussion and glassy vocal layers to massive harmonic drones, GAMMA turns almost any source into something tonal, playable, and completely unexpected.

Visit Developer Site

Cymatics.Gamma.1.0.0  ( 26 MB )

149 / 589 / 312 MB

Noise Canvas is a tool for doing spectral sound design. It loads audio files, shows them as spectrograms, and lets you paint transformations and effects directly onto the sound in beats and semitones. It’s building upon the shoulders of projects like Metasynth, but with proper phase handling, more modern UI, better DAW integration etc. The whole thing is painting-coded: you have brushes, palettes, strokes etc. I designed it to feel like a canvas into which you’re dabbing splotches of colour. And it has pen tablet support so you can sketch with a stylus. You can get pretty interesting sounds with it.

What it does
– Paint on spectrograms. Brushes paint effects across time and pitch, snapped to a musical grid and scale.
– 11 spectral effects — dynamics, transform, blur, repeat, synthesise, evolve, binaural, sort, transmute, convolve, attract — stackable and reorderable, several instances at a time.
– Multi-step brushes with four macros, a preset library, and hotkeys.
– Deep modulation — three per-pixel 2D modulators (patterns, procedural textures, your own images, envelope follower, sequencer), plus macros, pen pressure/tilt, and contextual sources.
– Branching history that survives restarts, with favourites and per-branch audio export.
– Stem splitting — harmonic/percussive, NMF, or AI separation — with lossless merge back.
– Slots into any DAW as its external sample editor. Ableton Live goes further: a Live 12 extension embeds the whole editor, and Ableton Link keeps tempo in sync.

Everything runs on the GPU and resynthesises after every stroke, so you hear the real audio immediately.

Read the manual

Video demo (Instagram)

Visit Developer Site

WIN  ( 113 MB )

Mac Intel  ( 143 MB )

Mac, Apple Silicon ( 138 MB )

Linux ( 155 MB )

15 MB

YS-Mobile Bass — a plugin for adapting bass to mobile devices. YS-Mobile Bass is a specialized tool for preparing bass lines for listening on smartphones, tablets, and other devices with a limited low-frequency range. The plugin helps preserve rhythmic clarity and bass body where low frequencies inevitably get lost, through harmonic adjustments in the lower midrange—without artificially boosting the low frequencies.

Key Features

Bass Mono: A monophonic bass mode with a frequency range of 20–250 Hz. This control preserves the low-frequency component only in the center (mono) channel, removing it from the side channels. This improves bass stability and clarity on any playback system, including headphones and compact speakers.

**Harmonic toggle switches for rhythmic support**:
**63**: Adds a second harmonic to the center channel at ~126 Hz, -18 dB below the 63 Hz band. Allows you to preserve the rhythmic bass pattern on mobile devices.
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**125**: Adds a second harmonic to the center channel at ~250 Hz, -18 dB below the 125 Hz band. Improves rhythm intelligibility in low-frequency-limited environments.

**250**: Adds a second harmonic at ~500 Hz, -31 dB below the 250 Hz band. Provides subtle lower-midrange support without overwhelming the mix.

**Total Energy Control**: When switches 63, 125, and 250 are simultaneously engaged, the total energy in the lower midrange increases. For most situations, activating just one switch is sufficient—this avoids excessive density in this range.

Output volume fader (±6 dB) with VU metering (white LEDs): precise adjustment of the final signal level. The VU meter helps keep the level within the “working zone” and avoid clipping downstream.

**Harmonics Volume Fader (±6 dB) with VU metering (green LEDs)**: separate control over the added harmonic energy. This allows for subtle balancing of the “rhythmic signature”—either enhancing it in a dense mix or, conversely, making it barely noticeable.

Recommendations for use

*Processing Chain Positioning**: The YS-Mobile Bass section should be placed **before* the overall saturation. This ensures that the harmonics added by the switches will be properly processed by subsequent stages of the chain (including saturators), rather than being overloaded or masked.
**Practical approach**: Start with Bass Mono and one of the toggle switches (63 or 125 are often optimal). Choose the combination by ear, based on the target playback system—for example, typical mobile speakers.
**The point of harmonics**: It’s important to understand that the added harmonic will, by default, be 18 dB below the target level. This means it won’t add any “meat” to the midrange, but will merely provide a subtle rhythmic shadow. This isn’t about “making it thicker,” but rather about “leaving a trace of rhythm” where the headphones can still hear something. Using the harmonics volume fader, you can carefully adjust this balance without ruining the original idea of ​​a subtle backing.
**Working with levels**: Use the VU metering to keep the output level in a comfortable zone and ensure it doesn’t “fall out” of balance in the overall mix. White LEDs provide a clear picture of the main signal, while green LEDs separately indicate the contribution of harmonics, making them convenient for quick adjustments.
**Compatibility with Mixing Methods**: The plugin works well with approaches that emphasize a clear rhythmic foundation in the bass (including those stylistically close to folk rock and acoustically oriented mixes). It can be used as part of a mixing template, where levels and frequency accents are pre-calibrated to references.

Visit Developer Site

YS.Mobile.Bass.1.0.0.WIN  ( 6 MB )

YS.Mobile.Bass.1.0.0.MAC  ( 9 MB )

27.5 MB

Oscilloscope with built-in recorder.

Features:
– Sync, Free, and Scroll modes
– Smooth zoom and pan navigation
– Inter-instance sidechain routing and visualization
– Multi-instance signal overlay and summing
– Visual frequency filtering for low-end control
– Spectral waveform
– Headroom display with clipping indicator
– Sync to start mode (solution for Ableton Live PDC issues)
– Color themes and scalable GUI
– “Hold” function for waveform comparison
– Record audio and drag & drop it straight into your DAW
– Normalize, trim, and snap recorded audio to grid
– Advanced configuration via overrides.json
– Reaper embedded integration

Visit Developer Site

Scyllascope.1.3.0  ( 28 MB )

13 MB

Subhoofer is a bass enhancement saturation plugin, along with a subharmonic generator.
Subhoofer is aimed at being a replacement for other subharmonic generation plugins. Use it to make your bass audible on small speakers or extend the sub range in bass signals! You can also beef up guitars, add bass to other instruments, presence to vocals etc. Experiment with extreme values at your own risk.

Subhoofer can generate bass harmonics as well as a subharmonic in addition to a few saturations aiding it

The default settings are already configured to mimic a bass plugin of renaissance 🙂 However feel free to tweak further!

Parameters:
● In Gain – Gain before any processing happens

● Out Gain – Gain after all processing happens

● Wet – How much processed sound is there instead of dry/unprocessed sound

● Hardness – Tone control for harmonics – modified Chebyshev algorithm

● Harmonics – Generated harmonics added to the signal

● Harmonic Algorithm – The methods used to generate harmonics:

● A Bass 3: Ardura’s algorithm remade generating harmonics differently

● A Bass 2: Ardura’s algorithm updated in 2024 for bass enhancement

● 8 Harmonic Stack: An 8 harmonic stack with a different low-focus than Algorithm 1

● Duro Console: A Modified 7 harmonic stack from Duro Console that favors non octave harmonics

● TanH Transfer: Harmonics added in from a tanh transfer function pretending to be tape

● Custom: Custom Harmonic Sliders for user to create their own tones
● Sub Gain – Gain for the subharmonic generator

● Sub Drive – Send the subharmonic signal to TanH Transfer for subtle Sub harmonics added in

Installation
Drag the vst3 file into your “C:\Program Files\Common Files\VST3” directory or wherever your vst3 are stored. Done!

Other Build information
The builds on GitHub and KVR are VST3 and CLAP format, and are compiled on the following machine types:

Ubuntu 22.04
Windows’ 2022 build (Win10? The Github runner just lists “Windows-2022”)
MacOS 12
The MacOS M1 build is on OS 14

https://github.com/ardura/Subhoofer

Subhoofer_v222  ( 13 MB )

size 35 MB

RandRobin is a round robin effect emulation that emulates humanization for drum elements such as snares, cymbles, hi-hats and perccution.

It’s based on a randomization of pitch values over the full frecuency spectrum of the signal. The plugin cuts the signal into 3 frequency bands (low, middle, high) and applies random pitch changes to each band separately. The frequency band knobs determaine how far the difference between the original pitch and the manipulated pitch can go (pitchbending).

The “pitchbending method” menu determines the type of the pitchbending jumps.”only up” means the pitch jumpes will always be higher than the original. “only down” means the pitch jumpes will always be lower than the original. “up & down” means the pitch jumpes will be both higher and lower.

The “dry – wet ratio” is kind of mixture between the original
signal occuration and the manipulated signal occuration. when the value of this knob is low, the chances of the original signal occuration are higher. The higher it goes,
the chances of the manipulated signal occuration increases.

fananteampro.com/randrobin

RandRobin VST  ( 35 MB )

size 37 MB

HISSTools Freeze is a lightweight plugin for spectral freezing and morphing based on DSP built in FrameLib.
HISSTools Freeze was originally built for teaching purposes at the University of Huddersfield.
It supports several different freezing/morphing modes that allow control over the evolution of the output sound.
A randomisable multi-band filter allows the user to add movement to the sound.

Formats / OS:
HISSTools Freeze is curently provided as AUv2 (mac only) and VST2 / VST3 (mac / windows).
Other formats are support by iPlug 2 but not yet configured to build correctly.

AlexHarker/HISSTools_Freeze

HISSTools_Freeze  ( 37 MB )

size 24 MB  / 18 MB

Stimulate is a harmonic exciter.

• Amount – amount of harmonic distortion in the signal.
• Range – range of frequencies being harmonically distorted. (everything above the chosen frequency).
• Odd – amount of odd harmonics.
• Even – amount of even harmonics.
• Phase – flips the phase of the signal.
• Mix – mix between wet signal and dry signal.
• Mix – mix between wet signal and dry signal.
• Trim – output volume attenuation.
• Platforms: Universal Mac AU & VST3 64 Bit : Windows VST3 64 Bit.

https://www.patreon.com/ViatorDSP

Stimulate  ( 24 MB )

StimulateMacInstaller_v1.4  ( 18 MB )