35 MB

Built for precision, fast to use
From a quick high-pass to a surgical de-ess, EQ Pro keeps the curve, the maths and the sound in perfect lock-step.
EQ Pro What you draw is exactly what you hear.
A transparent, surgical equalizer with up to 24 dynamic bands, Mid/Side and Left/Right per band, selectable phase, and a real-time analyzer. No analog colouring, no guesswork.

Everything in one EQ
Built for precision, fast to use
From a quick high-pass to a surgical de-ess, EQ Pro keeps the curve, the maths and the sound in perfect lock-step.

Interactive curve
Double-click to add a band, drag for frequency and gain, scroll for Q or slope. The handle never jumps, even when bands overlap.

A compressor per band
Each bell or shelf is a full compressor on its own frequency and Q: threshold, ratio, knee, attack, release. Tame a resonance only when it rings.

Mid/Side & L/R
Route each band to Stereo, Mid, Side, Left or Right. The curve splits into colour-coded lanes so you see every placement.

Three phase modes
Zero Latency and Natural Phase for tracking and mixing, Linear Phase for mastering where phase smear must stay at zero.

Real-time analyzer
A smooth, log-frequency spectrum behind the curve, pre and post, so you find the problem before you reach for it.

Tone-only dynamics
Auto Gain folds in each dynamic band’s live move, deterministically, so the dynamic EQ changes the spectrum without changing the loudness. Never a second compressor.

External sidechain
Drive any dynamic band from an external source, per band, for ducking and frequency-conscious control.

Oversampling
Optional 2x or 4x for clean behaviour near Nyquist on steep, high-frequency moves, with a low-latency design.

Gain Scale
One dial scales the whole EQ from flat to double. The curve and every readout follow, while your per-band values stay intact.

A curve that never lies
The drawn response and the processed audio share the exact same filter maths. Move a handle and the sound moves with it, to the decibel.

Up to 24 freely typed bands
Bells, shelves, low/high cuts, notch and a true Tilt
Symmetric constant-Q: a cut mirrors the boost exactly
Drag values or type them in, kHz and all
A compressor in every band
Control that only acts when needed
Static EQ dulls the whole track. A dynamic band only engages over its threshold, and it listens to exactly the frequency and Q you drew, so it fixes the problem and leaves the rest of the performance alone. Reveal FULL and it is a complete compressor on that band.

Threshold, ratio (to brickwall), knee, attack, release per band
A per-band meter: level, threshold marker and live gain reduction
Gain is the range; absolute threshold, decoupled
Internal or external sidechain, per band
Stay at the right level
Spectrum changes, loudness doesn’t
Auto Gain matches the output for an honest bypass, and it folds in what the dynamic bands are doing, deterministically, so a dynamic move changes the tone without changing the loudness. You judge tone, not level.

Auto Gain follows the dynamics, with no detector of its own
Gain Scale: 0 to 200 %, the curve follows in real time
Input and output trim with stereo metering
True bypass for an instant A/B
Specifications
The details
Bands
Up to 24, individually automatable
Filter types
Bell, Low/High Shelf, Low/High Cut, Notch, Tilt
Cut slopes
6 to 96 dB/oct
Dynamics
Full compressor per band: threshold, ratio, knee, attack, release, ext sidechain
Routing
Stereo, Mid, Side, Left, Right per band
Phase
Zero Latency, Natural, Linear
Oversampling
Off, 2x, 4x (low latency)
Analyzer
Pre / Post, log frequency, smoothed
Gain tools
Gain Scale, deterministic Auto Gain (follows the dynamics)
Formats
macOS (VST3, AU), Windows (VST3)

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Jeesonic.EQ.Pro.0.1.0  ( 35 MB )