16 MB

ExtraBold: three-oscillator hybrid beast

Key features:
*3 oscillators, 4 filter modes, 3 effect unit slots with 5 effect categories.
*Modulation: 2 envelopes, 4 LFOs.
*Focused and streamlined user interface with custom skinning support and scaling ranging from 100% to 300%.
*Highly tuned performance, including native support for Apple Silicon “M1” processors.
*64 builtin patches in the factory ROM.
*No copy protection or DRM.

Plugin formats:
*The CLAP plugin format, including support for polyphonic non-destructive modulation, preset discovery, parameter indication and several more extensions. Tested in Bitwig, REAPER and others.
*Audio Unit. (macOS only)
*The native FL Studio plugin format, including support for slide/glide notes. Requires FL Studio 9 or newer. (Windows only)
*Standalone (requires compatible audio and MIDI hardware)

https://nakst.gitlab.io/extrabold/

ExtraBoldSynth_1.2.0  ( 16 MB )

size 11 MB

MOLOSS is a multi oscillator iinear synthesizer designed to build analog vintage sounds by combining several techniques used in the 80’s.

Its 4 voices mix Subtractive synthesis, additive synthesis, frequency (or actually phase) modulation, cross modulation, to allow a very wide sound range, with a lightweight CPU load.

It has a default polyphony of 64 notes, and 2 mono “solo” modes.

A lot of parameters can be modulated with controllers, to give the best live expressivity.

It has a full embedded file-based preset management

https://www.arthelion.com/

MOLOSS-II_Win32  ( 11 MB )

MOLOSS-II_x64  ( 11 MB )

size 48 MB

• Two oscillators: Waveform, Amp, Tpitch [aftertouch – pitch], Pulsewidth, PWM rate, PWM depth, Trans [transpose], Detune, Touch [aftertouch – osc amp].
• Noise [white or bandpassed]: Amp, Touch, Resonance, Transpose.
• Filter: Filter type, Double [filter doubling], Cutoff, Track [keytracking], Reso [resonance], Split, Mix, Touch [aftertouch – cutoff), Mod (envelope modulation), Velocity, Filter envelope, Speed ratio.
• Envelope: Attack, Hold, Decay 1, Breakpoint, Decay 2, Sustain, Release.
• Distortion: Type, Mode, Oversample, Pregain, Limit, Postgain.
• Chorus: Mode, Rate, Delay, Range, Feedback, Mix: Dry/wet mix, Voices.
• Delay: Unit, Quantize, Input pan, Rotation, Dry, Wet, Length (left and right), Feedback (left and right), Reverse (left and right), Lowpass, Highpass, On/off switch.
• Reverb: Room size, Length, Predelay, Early (reflections), Dull(ness), Bright(ness), 1/2/3, rotate, Dry and wet output gain, On/off switch.
• EQ (5-band parametric equalizer): Type switch, Frequency, Amp, Slope.
• Pitch envelope: Start, Attack, Peak, Decay, Sustain, Release, Velocity, On/off switch.
• Mod envelope: Attack, Hold, etc., Mod depth, Mod target, Velocity.
• Tuning: Tune, Octave, Cut reference, Pan reference, Notes.
• LFO (x2): Shape, Mode, Unit, Rate, Quantize, Cut 1, Cut 2, Resonance, Pitch, Pan, Rate2/1.
• XY Pad: Mod depth, Mod target, CC selectors, Vr (XY random radius) and vs (XY random rate).
• Arpeggiator: pattern, length, Mode, Unit, Quantize, Step, Arp notes.
• Skinnable: Oatmeal is reasonably skinnable.
• + Larger Bigger Skin by Flavours Of Lime
• + 42x Oatmeal Soundbanks  
• + Install Help and info

NA

Fuzzpilz_Oatmeal  ( 48 MB )

size 19 MB

size 0.4 MB

Roid is a single oscillator subtractive synthesizer.

n/a

RH-Roid  ( 0.4 MB )

size 0.9 MB

Junglist is a subtractive and FM 2-oscillator synthesizer.

It comes with 32 preset waveforms, and some advanced voice effects, including a special bass filter, which makes it possible to create the huge, booming bass sounds you’ve heard from professional jungle and drum’n’bass producers.

• 2-Oscillator Subtractive Synth with ring-modulation.
• Switchable to 2-Oscillator FM Mode.
• 2-Mode (Lowpass/Highpass) resonant filter with ADSR control and stereo seperation.
• Pitch-up/down envelopes.
• ADSR Envelope.
• Massive stereo chorus effect.
• Choice of 32 preset waveforms per oscillator.
• LFO with filter/oscillator routing options.
• Glide control.
• Unique bass filter with stereo spread.
• Distortion effect.
• Up to 8 notes polyphony.
• Two unison modes.
• Percussive envelopes mode for drum sounds.
• On-screen keyboard and pitchwheel.

synapse-audio.com/

Junglist  ( 0.9 MB )

size 0.6 MB  / 1.9 MB

Basic is a 3 oscillator subtractive mono-synth.

While it is designed with ease-of-use and simplicity in mind, the panel sits in front of a powerful modern synthesizer engine with an aggressive tone and self-resonating filters that scream when pushed.

• 3 alias-free wavetable oscillators with six waveforms each, and oscillator sync.
• A pair of cascaded filters featuring MS20-style lowpass and highpass, and a bandpass of our own design.
• A four-waveform tempo-syncable LFO with waveshaper.
• ADSR envelopes for amplitude and filter frequency.
• User-definable soft-saturation.
• A simple and easy-to-understand workflow, inspired by the classic topology of vintage analog synths like the Minimoog, SEM, and MS20, but with modern usability.
• Touchscreen-friendly and highly visible user interface.

www.audiodamage.com/

Audio_Damage_Basic  ( 0.6 MB )

Audio_Damage_Basic_x64  ( 0.6 MB )

Audio_Damage_Basic_Mac  ( 1.9 MB )

size 47 MB  / 50 MB

Monica 3 is an analog dual-layered 90’s style synth with 2 completely different aggressive and incredibly high dynamic range oscillators.

The first oscillator is wavetable based with 50 wavetables + additional 50 wavtables for morphing. The second is an old style 8 waveforms pad oscillator that emulates the 90′ type monster pads. The oscillators work on dual-layered basis and have each own separate controls, synthesis section, chords driven pattern sequencer and some more new features.

Monica 3 is armed with an extremely flexible 16 steps built-in chords driven arppeggiator based on played note’s position with it’s own dedicated pattern file manager and vast of tweaking options including time signature, gate, speed, the total number of steps and DAW syncing.

Monica 3 has 2 different modulation options. The first offers 6 traditional LFO’s, 3 per oscillator, each with 50 possible wavetables and BPM syncing option. The second option is MMM – MIDI clock motorized modulation. The MMM allows motorizing knobs and controls and by that, creating interesting motion effects.

Monica 3 is equipped with 6 effects:

• Up to 8 voices unison.
• Cabinet.
• Wah.
• Chorus.
• Phaser.
• Delay.

Each effect has 2 separate send channels, one for each oscillator (it can also work in global mode).

www.fananteampro.com/

Monica3  ( 47 MB )

Monica3(64)  ( 50 MB )

size 47 MB  / 50 MB

Monica 3 is an analog dual-layered 90’s style synth with 2 completely different aggressive and incredibly high dynamic range oscillators.

The first oscillator is wavetable based with 50 wavetables + additional 50 wavtables for morphing. The second is an old style 8 waveforms pad oscillator that emulates the 90′ type monster pads. The oscillators work on dual-layered basis and have each own separate controls, synthesis section, chords driven pattern sequencer and some more new features.

Monica 3 is armed with an extremely flexible 16 steps built-in chords driven arppeggiator based on played note’s position with it’s own dedicated pattern file manager and vast of tweaking options including time signature, gate, speed, the total number of steps and DAW syncing.

Monica 3 has 2 different modulation options. The first offers 6 traditional LFO’s, 3 per oscillator, each with 50 possible wavetables and BPM syncing option. The second option is MMM – MIDI clock motorized modulation. The MMM allows motorizing knobs and controls and by that, creating interesting motion effects.

Monica 3 is equipped with 6 effects:

• Up to 8 voices unison.
• Cabinet.
• Wah.
• Chorus.
• Phaser.
• Delay.

Each effect has 2 separate send channels, one for each oscillator (it can also work in global mode).

www.fananteampro.com/

Monica3  ( 47 MB )

Monica3(64)  ( 50 MB )

size 3 MB

Shapeulator is a waveshaper oscillator synthesizer.

It is essentially the product of a modular patching session, and a desire to have the core setup used available for further sound design fun. At the most basic level, it is a subtractive synthesizer, with some additional features that make it especially useful for certain types of pads, fx sounds, and synthetic percussion.

The main features that separate Shapeulator from other analog-style subtractive synths are the waveshaper oscillator and resonator. The waveshaper oscillator is a fairly standard VA osc with a waveshaper that is controlled by another oscillator. This second oscillator can be modulated independently, and creates a sound something like amplitude modulation. The resonator is a stereo bank of tuned delays with feedback, which can also be modulated.

VST3 64bit only.

https://www.fstateaudio.com/

fsa-shapeulator  ( 3 MB )