13 MB

TugMultiEffect is a versatile audio plugin designed to enhance the sound of audio recordings. it features 11 different effects, which are represented by boxes on the main window of the plugin. These effects include tools such as delay, chorus, reverb, distortion, and more.

One of the standout features of Tug MultiEffect is its ability to route and connect these effects in various ways. This means that users can experiment with different combinations of effects and create unique soundscapes that suit their needs. The routing system is flexible and easy to use, allowing users to drag and drop connections between the different effects boxes:

Reverb.
Delay.
Chorus.
Decimator.
Distortion.
Phaser.
Pitchshifter.
Combfilter.
Vibrato.
Tremolo.
Filtre (Moog type/ self resonance).
with many parameters.

Home

TugMultiEffect  ( 13 MB )

Free | Win Mac Linux | 16.4 MB

Faradelay is  a Chorus, Phaser, and Tremolo all in one!
Why have 3 separate modulated delay plug-ins when you can have one plug-in that does it all? The Chorus, Phaser, and Tremolo are created from the same effect called a modulated delay. Those effects are created by using slight variations for different parameters inside the modulated delay. Faradelay gives you access to those controls so that you can create chorus’, phasers, tremolos and everything in between!

Features:

Rate, depth, offset, mix, feedback, and gain controls
Choice between sin, and tri wave for LFO
Control of left and right channels independently
Low CPU usage

What is a modulated delay?

A modulated delay works by creating a short delay in the signal and modulating the length of the delay using an LFO. As the LFO goes up and down, so does the current delay time.

Controls:

Depth – The maximum length of the delay by a percentage of the maximum allowed time in ms.

Rate – Rate of oscillation of the LFO in hertz.

Offset – Offset of the delay from 0ms. For example, an offset of 3ms means that the delay will go from 3ms to the maximum allowed delay time.

LFO – The shape of the LFO as either a sine wave or a triangle wave.

Mix – Ratio of wet signal to dry signal.

Feedback – Percentage of feedback to be mixed into the delay signal.

Home

Faradelay  ( 16 MB )

size 149 MB

35 VST3 Synthesizers & Effects

Plugins:

Synthesizers:

ClangSynthh
CollidingCombSynth
CubicPadSynth
EnvelopedSine
FDNCymbal
GenericDrum
IterativeSinCluster
MaybeSnare
MembraneSynth
LightPadSynth
SyncSawSynth
TrapezoidSynth
UltraSynth
WaveCymbal

Effects:

AccumulativeRingMod
BasicLimiter
CombDistortion
EsPhaser
FDN64Reverb
FeedbackPhaser
L4Reverb
LatticeReverb
LongPhaser
MiniCliffEQ
NarrowingDelay
OrdinaryPhaser
ParallelComb
ParallelDetune
PitchShiftDelay
RingModSpacer
SevenDelay
UltrasonicRingMod

GenericDrum:
GenericDrum is a generic drum synthesizer using delays. This one can make convincing snare and bass drum sounds. Cymbal sounds can be made, but it’s not as good as lower pitched drum sounds.

FeedbackPhaser:
FeedbackPhaser is a phaser but the modulation source is feedback signal rather than an LFO. It sounds more like a distortion rather than a phaser most of times.

AccumulativeRingMod:
AccumulativeRingMod is a ring modulator that uses accumulated amplitude of input signal as the phase. When applied to simple waveforms like a sine wave, it sounds similar to FM.

RingModSpacer:
RingModSpacer is a sidechain limiter that adds severe distortion. First, full-wave rectification is applied to sidechain input. Then rectified signal modulates amplitude of main input. The sum of modulated main signal and raw sidechain signal won’t clip, when both peak amplitudes are under 0 dB. That’s the theory. The hard part is to figure out when to use this effect.

ParallelDetune:
ParallelDetune is a detuning effect with 8 pitch shifters connected in parallel. It can be used to spread stereo image similar to chorus effect.

OrdinaryPhaser:
OrdinaryPhaser is an ordinary phaser with a delay on feedback path. Note events can be used to control all-pass cutoff frequencies and delay time.

NarrowingDelay:
NarrowingDelay is a delay with serially connected pitch shifter and frequency shifter on feedback path. The spectrum of input signal can be narrowed or expanded for each feedback. It is more suitable for sound without stable pitch. Note event can be used to control frequency shift amount.

LongPhaser:
LongPhaser is a phaser using Schroeder all-pass filters which is able to set some long delay time. The sound is like somewhere between delay and phaser. It feels a bit underwhelming, however modulation with LFO and note events may be used to compensate the lack of character.

CombDistortion:
CombDistortion is a distortion using self-modulating comb filter. Raw output sounds harsh, and it is better to use with external cabinet impulse response. Note event can be used to control delay time of comb filter.

MaybeSnare:
MaybeSnare is a synthesizer that resembles sound of snare drum. This is basically 2 MembraneSynth coupled by cross feedback. Snare wire is not included. However, the noise of modulation adds rattling texture similar to snare wire.

MembraneSynth:
MembraneSynth is a synthesizer that resembles sound of percussions with membrane, like bass drum or tom tom. The texture comes from self-modulating feedback delay network (FDN). Some strange noise can also be made by utilizing oscillation caused by self-modulation.

UltraSynth:
UltraSynth is an ordinary synthesizer except 64-fold oversampling that is the same one used in UltrasonicRingMod. Because of the high oversampling ratio, modulation sound is okay. However CPU load is high.

Other plugins :

UltrasonicRingMod:
UltrasonicRingMod is a ring modulator with 64-fold oversampling. Maximum modulator frequency is 1 MHz. That said, just modulating with ultrasonic frequency doesn’t produce anything audible. Therefore, phase modulation and hard clipping are added to make some noise in audible frequency.

ClangSynth:
ClangSynth is a synthesizer suitable for percussion sounds. Each voice equips an 8 * 8 feedback delay network (FDN) as a resonator. Oscillator is static wavetable with controls specialized to make pulse train. For better cymbal sound, ClangCymbal is also available.

PitchShiftDelay:
PitchShiftDelay is a time domain pitch shifter based on usual delay. The quirk of pitch shifter is somewhat reduced by 16x oversampling. Also the internal buffer length can be changed in real time. PitchShiftDelay doesn’t equipped with formant correction. So applying to voice may sounds strange, like Helium is inhaled.

ParallelComb:
ParallelComb is a comb filter which has 4 different delay time and 1 shared buffer. A limiter is inserted on feedback path to make the output somewhat clean. Weird distorsion can be added by modulating delay time using feedback signal amplitude.

FDN64Reverb:
FDN64Reverb is a reverb equipped with a feedback delay network (FDN). However, the size of feedback matrix is 64.

https://ryukau.github.io/VSTPlugins/

Uhhyou_Plugins0.61.0  ( 149 MB )

size 6 MB  / 22 MB

Phaser 74 is a MXR Phase 90 emulation.

This was the first ever phaser to come in a small pedal format, but don’t let its simplicity fool you: it’s a gorgeous, shimmering sound that’s been present on countless records, most notably associated with Van Halen and David Gilmour.

Using the same neural network tech as our other pedals, we’ve reproduced all the analog warmth of the original circuit so you can get it in plug-in format – and we’re releasing it for free! Get the elegant simplicity of this classic pedal – a welcome respite from the complex controls in more modern gear, all you need is to drag and drop it to instantly get that vintage 70s phasing effect. With the speed knob, you can control the rate of the phasing, allowing you to go from a subtle background wooshing effect, to an intense psychedelic swirl.

System requirements: Mac OS X 10.14 or later, Native M1 or Intel from 2014 or later. Windows 7, 8 or 10, 64-bit. Formats: VST3 / AU. Tested in Logic Pro X, Ableton Live, Reaper and Cakewalk.

https://www.fazertone.com/

Phaser74  ( 6 MB )

Phaser74_Installer MAC  ( 22 MB )

size 2 MB

Make any sound wide without phase issues. Similar to haas effect but instead of delaying one of the channels, both are delayed and one is flipped.

When summed to mono, the effect is canceled out.

To uninstall, delete Bimono.vst3 from Program Files\Common Files\VST3\Outobugi

outobugi.com/#bimono

Download  ( 2 MB )

size 9 MB  / 26 MB

Dr Phase is an analog modeled vintage phaser.

Dr Phase simulates the epochal MXR Phase 90 phaser pedal introduced in the early 70s and used by countless musicians. It will add movement and character to any instrument. Try it with guitar, bass, synths… even on drums!

• Analog Modeled Phaser.
• Modulation Speed.
• Vintage Mode.
• Speed Sync.
• Pre and Post effect gain.
• Mix control.
• Noise Gate.
• Resizable interface.

www.audiority.com/

Audiority-DrPhase-v1.0-PC  ( 9 MB )

Audiority-DrPhase-v1.0-OSX  ( 26 MB )

size 0.1 MB

Vanilla Surprise is a multi FX (reverb, delay, chorus, phaser).

n/a

RH-Vanilla  ( 0.1 MB )

size 0.1 MB

Purple Nurple is a step-based flanger and phaser.

n/a

RH-Nurple  ( 0.1 MB )

size 1.5 MB  / 4.8 MB

Phase Two is a recreation of the Mutron Bi-Phase, one of the most sought-after vintage phaser units, highly prized for its liquid and subtle stereo phasing abilities.

Phase Two features two separately controllable 6-stage phasers, and like the original unit, these two phasers can be routed in series or parallel, for everything from subtle stereo washes to full-blown alien attack. Using the extra CC feature, which takes the place of the “Opti-Pedal” in the original unit, you can manually sweep the phaser frequencies with a MIDI controller, such as a mod wheel or aftertouch.

The cel-shaded user interface of Phase Two matches the original unit in every respect, right down to the foot-switch, so anyone familiar with the vintage unit will feel right at home using the digital recreation. Every object on the interface has Audio Damage’s standard MIDI Learn feature, so the unit can be fully controlled from external hardware controllers.

• Two separately controllable 6-stage phasers modeled on the Mutron Bi-Phase.
• Two dual-waveform LFOs.
• The same routing mechanism as the original hardware, for serial or parallel operation.
• Low CPU usage.
• Full MIDI learn mode, for MIDI CC control of every control (VST only; handled by host in AU version).

www.audiodamage.com/

Audio_Damage_PhaseTwo  ( 1.5 MB )

Audio_Damage_PhaseTwo_x64  ( 1.5 MB )

Audio_Damage_PhaseTwo_Mac  ( 4.8 MB )

FlyingPhaser is a classic phaser effect.

It creates smooth and subtle sweeping filter effect. Modeled from state of art time-varying-filter our effect provide you analog feel sound.

• Host bpm synchronisation.
• Vst3 preset saving standard.
• SNR >120dB.
• Aliasing Free.
• No Oversampling nor downsampling.
• Glitch free.
• Intuitive GUI.

superflydsp

FlyingPhaser_Win32  ( 2 MB )

FlyingPhaserWin64  ( 3 MB )

FlyingPhaser_MacOS  ( 3 MB )

FlyingPhaser_Linux64  ( 7 MB )