Free | Date: 2024.06.12 | 16 MB

kHs ONE is a subtractive synthesizer with a focus on high audio quality and ease of use. kHsONE boasts three oscillators, two filters and one waveshaper per voice, engineered to keep aliasing and other artifacts to a minimum. All aspects of kHs-ONE can be modulated in multiple ways.

Features:

– 2 Oscillators (saw/square/noise).
– Sub oscillator.
– 2 Filters.
– Per voice wave shaper.
– 2 LFOs.
– 3 Envelopes (amp/filter/mod).
– 8 voice unison.
– 24 voice polyphony.
– Env/LFO legato on/off.
– Portamento/Glide.
– Onboard FX: Chorus, Delay, Equalizer and Limiter.

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Download ( 9 MB )

size 30 MB

A subtractive synthesizer with FM capabilities.

T-Force Zenith is the current flagship synthesizer by Mastrcode Music. A subtractive synthesizer with FM capabilities. Its oscillators are inspired by the original Roland JP-8000/8080 Supersaw oscillator. But with way more available oscillator waveforms than just a saw wave and some additional features.
It’s a powerful synthesizer that suits all kinds of electronic music. It can produce smooth and soft sounds, but its strengths lie in the creation of emotional, powerful, epic and bright sounds and effects.

Features:

Synthesis:

• Subtractive
• up to 32x polyphony

Oscillators:

• 2 free running 7-voice oscillators, inspired by the original Roland Supersaw
• over 200 oscillator waveforms (50 factory waveforms and over 150 additional single cycle wavetable based waveforms)
• can load “user samples” in form of 16/24/32 bit mono wav files to use them as single cycle oscillator waveforms. Just place them inside the “User Samples” folder in Zenith’s VST3 root folder.
• audio editor to record, edit, and cut and save the user samples for the use as oscillator waveforms. You can directly record user samples from any sound source within your DAW. Just set the recording routings with your DAW’s settings.
• controls for semitones over 6 octaves (up to -36 and +36 semitones) and finetuning (cents)
• “Oscillator Feedback” module for special oscillator manipulations that can produce interestung and crazy sound effects.
•  Detune control to detune each of the 7 single oscillator voices against each other to create that typical supersaw detuning.
• Mix control to mix between 1 single oscillator voice and 7 detuned voices like in the original Roland supersaw oscillator
• Stereo control for spreading the detuned voices in the stereo panorama
• option to invert the oscillator phase
•  Phase offset and retrigger controls
• Oscillator panning and volume controls
• Noise generator with stereo and volume controls

Filter:

• 15 different filter types
• controls for Cutoff, Resonance, Filter envelope amount, Keytracking (key follow) and Velocity

Envelopes:

• 1 ADSR amp envelope
• 1 ADSR filter envelope
• 2 ADSR modulation envelopes

LFOs:

• 3 LFOs with sine, saw, ramp, triangle and pulse waveforms
• Tempo can be free (Hz) or synced to the VST host’s bpm tempo
• Phase offset option
• mono/poly note Phase retrigger modes
• polarity modes (unipolar/bipolar)

MIDI effects:

• Glide mode (portamento) with auto glide option, glide amount control (time), note hold, retrigger or legato mode
• up to 32x polyphony or mono voice mode
• Chorder module to play whole chords of a pre-set scale by playing only one note (1-finger chords)
• mighty Arpeggiator/Step sequencer with up to 8 sequencer patterns to create complex and powerful arpeggios, or even complete melodies and/or 303 style acid sequences.

Effects:

• Distortion effect with 3 different distortion models (clip/foldback/tanh)
• Stereo Chorus effect
• envelope controlled 32 step Trance Gate with filter envelope trigger mode
• 7 band parametric EQ
• stereo Delay effect with ping pong mode, lowpass and high pass filters and a flanger effect to modulate the feedback loop for flanged echos or to create tape delay effects
• Reverb with predelay, decay, damp, stereo spread and a 4-band EQ

Other Features:

• Pitch Bend wheel, Modulation wheel
• Mod Matrix for additional modulation routings
• Output section with Bass,Treble and Main Volume contols
• virtual MIDI keyboard
• Pitch Bend Range settings
• Main Transpose control with the option shift the transpose over 6 octaves (-3 to +3 octaves)

Please note: Only compatible to Windows. Supports Windows 7 64 bit with Service Pack1 installed, Windows 8/10/11 64 bit.

You might need to install Microsoft Visual C++ 2015/2017 Redistributable, otherwise Zenith will not work properly.
If you need to install it, a copy of it will be installed to: C:\Users\Public\Documents\MastrcodeMusic\Resources
and you can install it from there separately.

mastrcode-music.de/en/vst-plugins/t-force-zenith/

Download  ( 30 MB )

size 48 MB

• Two oscillators: Waveform, Amp, Tpitch [aftertouch – pitch], Pulsewidth, PWM rate, PWM depth, Trans [transpose], Detune, Touch [aftertouch – osc amp].
• Noise [white or bandpassed]: Amp, Touch, Resonance, Transpose.
• Filter: Filter type, Double [filter doubling], Cutoff, Track [keytracking], Reso [resonance], Split, Mix, Touch [aftertouch – cutoff), Mod (envelope modulation), Velocity, Filter envelope, Speed ratio.
• Envelope: Attack, Hold, Decay 1, Breakpoint, Decay 2, Sustain, Release.
• Distortion: Type, Mode, Oversample, Pregain, Limit, Postgain.
• Chorus: Mode, Rate, Delay, Range, Feedback, Mix: Dry/wet mix, Voices.
• Delay: Unit, Quantize, Input pan, Rotation, Dry, Wet, Length (left and right), Feedback (left and right), Reverse (left and right), Lowpass, Highpass, On/off switch.
• Reverb: Room size, Length, Predelay, Early (reflections), Dull(ness), Bright(ness), 1/2/3, rotate, Dry and wet output gain, On/off switch.
• EQ (5-band parametric equalizer): Type switch, Frequency, Amp, Slope.
• Pitch envelope: Start, Attack, Peak, Decay, Sustain, Release, Velocity, On/off switch.
• Mod envelope: Attack, Hold, etc., Mod depth, Mod target, Velocity.
• Tuning: Tune, Octave, Cut reference, Pan reference, Notes.
• LFO (x2): Shape, Mode, Unit, Rate, Quantize, Cut 1, Cut 2, Resonance, Pitch, Pan, Rate2/1.
• XY Pad: Mod depth, Mod target, CC selectors, Vr (XY random radius) and vs (XY random rate).
• Arpeggiator: pattern, length, Mode, Unit, Quantize, Step, Arp notes.
• Skinnable: Oatmeal is reasonably skinnable.
• + Larger Bigger Skin by Flavours Of Lime
• + 42x Oatmeal Soundbanks  
• + Install Help and info

NA

Fuzzpilz_Oatmeal  ( 48 MB )

size 16 MB

Essence Plus is a subtractive polyphonic synthesizer.

• 3 Multi-Voice Oscillators (8 voices with Detune & Stereo).
• 1 Noise Oscillator with stereo control.
• 1 Sub Oscillator.
• Filter (LowPass, BandPass and Highpass modes).
• Filter Envelope with curve controls.
• Amplitude Envelope with curve controls.
• 2 Modulation Envelopes with curve controls.
• 2 LFO with Random shape and BPM sync.
• Glide and Vibrato.
• Chorus.
• Stereo imaging.
• Arpeggiator.
• Chords generator.
• Delay.
• Reverb.
• Compression.
• Parametric EQ (3 band).
• Hardclip Distortion and Saturation.

ronanfed.rf.gd/

EssencePlus  ( 16 MB )

size 5.7 MB

IVOR2 is microtonal subtractive synth for learning about sound synthesis and musical instrument intonation (microtuning and xenharmonics).

IVOR2 embodies a design philosophy of simplicity for microtonal music sound-design:

• A knob-less design primarily featuring slider controls, which enables intuitive direct control with a computer mouse.
• A dedicated control signal system mapped to the most important synthesis functions.
• Settings are made by typing values into fields, dropdown lists, left-and-right arrows, switches and sliders.
• Enables musicians to specify precise microtonal pitch-bend settings.
• Features arbitrary microtonal oscillator transposition settings.
• MIDI-CC modulation of harmonics enables dynamically playing harmonics of the fundamental pitch.
• 2 Oscillators with 22 Waveforms.
• Microtonal, Cents-Based Oscillator Transposition.
• Per-Oscillator Analog Pitch Drift Emulator.
• Phase & Pulse-Width Modulation (PWM) Range Sliders.
• 9 dedicated Modulation Generators (MOD-GEN), featuring an ADSR and Graphic Envelope Generator, and an LFO that can be switched to run at Audio-Rate, which are for modulating Phase (FM), Pulse-Width, XFM, Pitch, Filters and Amplitude (VCA).
• MIDI-CC-to-Harmonics Modulation enables oscillators to dynamically sound harmonics of the fundamental pitch.
• Oscillator Mixer for setting relative oscillator volumes, Cross-Fade Modulation (XFM) and Ring Modulator (RM).
• Cross-Fade Modulation (XFM) Mode with six directional options for cross-fading between the two oscillators, including Sum (XFM bypass).
• Pre-Filter Saturation Stage with 20 Saturation Types.
• 2 Independent Filters with Six Filter Types: LP4, LP2, HPF, BPF, BRF, APF.
• 1 and 2 Stage Filter Cascade.
• Parallel and serial order routing.
• Unipolar and Bipolar Filter Modulation Modes.
• Full controller MIDI Pitch Microtuning with MTS (MIDI Tuning Standard).
• MTS support for both Single Note and Bulk Dump: Loads MTS microtuning format files internally and receives MTS externally.
• Patch (per-patch) and Global Microtuning (static microtuning for all patches).
• Microtunings can be loaded from any directory on hard drives or storage devices connected to the PC.
• Partials file loader for patch-level partial retuning of MOD-GEN Audio-Rate Oscillators.
• Modulation Effects include Chorus and two Phaser types.
• MIDI: 12 Note Polyphonic, Monophonic Legato Mode, Monophonic Portamento, Microtonal Pitch Bend, Vibrato.
• Ensemble: Tone Filters, Stereo Ensemble.
• Delay: Stereo Delay effect.
• 118 Factory Patches by Xen-Arts and Sevish.
• 148 MTS Microtunings.
• 91 Partials TXT Files for Audio-Rate Oscillator Modulation.
• Instruction Manual.

n/a

IVOR2  ( 5.7 MB )

size 80 MB  / 200 MB  / 99 MB

Surge XT is a subtractive hybrid synthesizer.

Each patch contain 2 scenes which are separate instances of the entire synthesis engine (except effects) that can be used to create layered or split patches. Quick category-based patch browser with textual search and favorites. 2779 patches, 614 wavetables.

Oscillators:

• 3 oscillators per scene, with 12 versatile oscillator algorithms: Classic, Modern, Wavetable, Window, Sine, FM2, FM3, String, Twist, Alias, S&H Noise and Audio Input.
• Classic oscillator is a morphable pulse/saw/dual saw oscillator with a sub-oscillator and hard sync.
• Modern oscillator is a mixable saw/pulse/triangle oscillator with an optional sub-oscillator mode for triangle (which can also change to sine or square) and hard sync.
• FM2/FM3 oscillators consist of a carrier and 2 or 3 modulators and various options.
• String oscillator uses two filtered waveguides to emulate plucked or bowed string sounds.
• Twist oscillator is based on a very famous Eurorack macro oscillator, and it offers a myriad of synthesis options in a very simple and quick way.
• Most algorithms (except FM2, FM3, Twist and Audio Input) offer up to 16-voice unison at the oscillator level.
• Oscillator FM in 3 different configurations and ring modulation between oscillators 1-2 and 2-3.
• Most oscillator algorithms (except FM2, FM3, Sine and Alias) are strictly band-limited, yet still cover the entire audible spectrum, delivering a clear, punchy and clean sound.
• Noise generator with variable spectrum (available directly in the oscillator mixer).

Filter Block:

• Two filter units in 8 different configurations.
• Feedback loop available in 7 of those configurations.
• Available filter algorithms: Lowpass (12 and 24 dB/oct, each with 3 variations), Legacy Ladder Lowpass (6-24 dB/oct), Vintage Ladder Lowpass (2 variations, each with and without gain compensation), Highpass (12 and 24 dB/oct, each with 3 variations), Bandpass (12 and 24 dB/oct, each with 3 variations), Notch (12 and 24 dB/oct, each with 2 variations), Allpass (3 variations), Comb (positive and negative), S&H.
• Open-source additions to our filter algorithms include: K35 and Diode Ladder filter types from Odin 2 synthesizer, 12 and 24 dB/oct multimode filters from OB-Xd, and weird but fascinating Cutoff Warp, Resonance Warp and Tri-Pole filters by Jatin Chowdhury!
• Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.
• Waveshaper (43 shapes).

Modulation:

• 12 LFO units available, 6 are per voice and 6 are global for the whole scene.
• DAHDSR envelope generators on every LFO.
• LFO shapes consist of 7 deformable LFO waveforms, step sequencer, a fully-fledged multi-segment envelope generator (MSEG) with various curves and up to 128 nodes, and last but not the least – a formula modulator which utilizes Lua scripting language to provide completely custom modulator output.
• Voice LFOs allow envelope retriggering in step sequencer mode.
• Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated.

surge-synthesizer.github.io/

surge-xt-win32-setup  ( 80 MB )

surge-xt-win64-setup  ( 80 MB )

surge-xt-macOS  ( 200 MB )

surge-xt-linux-x64  ( 99 MB )

size 0.9 MB

Junglist is a subtractive and FM 2-oscillator synthesizer.

It comes with 32 preset waveforms, and some advanced voice effects, including a special bass filter, which makes it possible to create the huge, booming bass sounds you’ve heard from professional jungle and drum’n’bass producers.

• 2-Oscillator Subtractive Synth with ring-modulation.
• Switchable to 2-Oscillator FM Mode.
• 2-Mode (Lowpass/Highpass) resonant filter with ADSR control and stereo seperation.
• Pitch-up/down envelopes.
• ADSR Envelope.
• Massive stereo chorus effect.
• Choice of 32 preset waveforms per oscillator.
• LFO with filter/oscillator routing options.
• Glide control.
• Unique bass filter with stereo spread.
• Distortion effect.
• Up to 8 notes polyphony.
• Two unison modes.
• Percussive envelopes mode for drum sounds.
• On-screen keyboard and pitchwheel.

synapse-audio.com/

Junglist  ( 0.9 MB )

size 33 MB

XenFont2 is a microtonal SF2 / subtractive synth.

It is a stereo, two oscillator, hybrid SF2 SoundFont & Subtractive Synthesis VSTi that features full-controller MIDI Pitch Microtuning using the MTS (MIDI Tuning Standard) format, where any MIDI Note Number can be freely microtuned to any desired pitch across the MIDI range, enabling computer musicians and composers to explore the vast expressive possibilities of composing music with alternative intonation systems.

XenFont2 is a microtonal sound-designer’s SF2 sample-based synthesizer, with a carefully designed ergonomic workflow for quickly creating powerful sounding and musical useful timbres. The instrument enables users to load their own stereo SF2 SoundFont files and thereby any special timbres required of the music at hand, from classical acoustic instruments, to synthesized ones. Routing the SF2 SoundFont Oscillators through the internal synthesis functions of the VSTi, provides a way to radically transform the original sounds and create new synthesized timbres.

XenFont2 is also an educational tool for learning about computer music sound-design, sampling and subtractive sound synthesis, as well as musical instrument intonation (aka microtuning and xenharmonics).

XenFont2 embodies a design philosophy of simplicity for microtonal music sound-design:

• A knob-less design primarily featuring slider controls, which enables intuitive direct control with a computer mouse.
• A dedicated control signal system mapped to the most important synthesis functions.
• Settings are made by typing values into fields, dropdown lists, left-and-right arrows, switches and sliders.
• Enables musicians to specify precise microtonal pitch-bend settings.
• Features arbitrary microtonal oscillator transposition settings.
• MIDI-CC modulation of harmonics enables dynamically playing harmonics of the fundamental pitch.
• 2 Stereo SF2 SoundFont Oscillators that enable users to load their own SF2 files.
• Microtonal, Cents-Based Oscillator Transposition.
• Per-Oscillator Analog Pitch Drift Emulator.
• Flexible channel routing options for each oscillator.
• 6 dedicated Modulation Generators (MOD-GEN), featuring an ADSR and Graphic Envelope Generator, and an LFO that can be switched to run at Audio-Rate, which are for modulating Amplitude (AM) of each oscillator, Crossfade Modulation (XFM), Filters, Pitch and VCA.
• MIDI-CC-to-Harmonics Modulation enables oscillators to dynamically sound harmonics of the fundamental pitch.
• Oscillator Mixer for setting relative oscillator volumes, Cross-Fade Modulation (XFM) and Ring Modulator (RM).
• Cross-Fade Modulation (XFM) Mode with six directional options for cross-fading between the two oscillators, including Sum (XFM bypass).
• Pre-Filter Saturation Stage with 20 Saturation Types.
• 2 Independent Filters with Six Filter Types: LP4, LP2, HPF, BPF, BRF, APF.
• 1 and 2 Stage Filter Cascade.
• Parallel and serial order routing.
• Unipolar and Bipolar Filter Modulation Modes.
• Full controller MIDI Pitch Microtuning with MTS (MIDI Tuning Standard).
• MTS support for both Single Note and Bulk Dump: Loads MTS microtuning format files internally and receives MTS externally.
• Patch (per-patch) and Global Microtuning (static microtuning for all patches).
• Microtunings can be loaded from any directory on hard drives or storage devices connected to the PC.
• Partials file loader for patch-level partial retuning of MOD-GEN Audio-Rate Oscillators.
• Modulation Effects include Chorus and two Phaser types.
• MIDI: 12 Note Polyphonic, Monophonic Legato Mode, Monophonic Portamento, Microtonal Pitch Bend, Vibrato.
• Ensemble: Tone Filters, Stereo Ensemble.
• Delay: Stereo Delay effect.
• Amp output section with three models.
• 89 Factory Patches by Xen-Arts and Sevish.
• 148 MTS Microtunings.
• 91 Partials TXT Files for Audio-Rate Oscillator Modulation.
• Instruction Manual.

n/a

XenFont2  ( 33 MB )

size 0.6 MB  / 1.9 MB

Basic is a 3 oscillator subtractive mono-synth.

While it is designed with ease-of-use and simplicity in mind, the panel sits in front of a powerful modern synthesizer engine with an aggressive tone and self-resonating filters that scream when pushed.

• 3 alias-free wavetable oscillators with six waveforms each, and oscillator sync.
• A pair of cascaded filters featuring MS20-style lowpass and highpass, and a bandpass of our own design.
• A four-waveform tempo-syncable LFO with waveshaper.
• ADSR envelopes for amplitude and filter frequency.
• User-definable soft-saturation.
• A simple and easy-to-understand workflow, inspired by the classic topology of vintage analog synths like the Minimoog, SEM, and MS20, but with modern usability.
• Touchscreen-friendly and highly visible user interface.

www.audiodamage.com/

Audio_Damage_Basic  ( 0.6 MB )

Audio_Damage_Basic_x64  ( 0.6 MB )

Audio_Damage_Basic_Mac  ( 1.9 MB )