10 MB

World’s first AI-coded musical instrument with ChatGPT-generated DSP code

You’ll get the answer to Doctor Mix’s question, “Can ChatGPT build a synthesizer?” in the form of a functioning, simple AAX/AU/CLAP/VST synthesizer.

So don’t wait – get the first-ever AI-coded musical instrument today!

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Doctor_Mix_AI_Synth_v1.2.1  ( 10 MB )

size 23 MB

Contribution Synth With Big Love To The Legendary TB-303
Version 3.0 includes improved and resizable user interface, the filter was fine-tuned to sound and behave even closer to the original TB-303, a few more minor performance and sound improvements. Native support for mac Arm and intel processors.

The sequencer part (including the slide and the accent) is handled with midi notes velocity.

Shorten the note length a little bit, so it ends slightly before the next note (like the TB).
Use the Velocity to control the Accent and the Glide.
Velocity 0 – 9: Slide On
Velocity 10 – 100: Regular note
Velocity 101 – 126: Accent On
Velocity 127: Accent & Slide On

The TB-303

was originally created in the beginning of the 80’s as a replacement for base guitarists. It didn’t get much success since it didn’t do the job it was meant to and was taken from the shelves two years later. In the end of the 80’s when the house and techno music started to pop up the device was rediscovered and got famous for it’s uniquely acid wobbly sound.

System Requirements:

Windows 10+
MacOS 10.13+ Arm / Intel

yoozmusic.com/bl-303/

YoozBl303_3.0  ( 23 MB )

size 7 MB  / 10 MB

One button. A lot of logic: Rand is a subtractive synth with a huge amount of randomness. Parametrized with a sound-design logic to get the most of the results to be usable as a patch. All of the randomized parameters are accessible via the “Edit Current” button.

You can use the patches as they are once you press the Rand button, or you can use the initial patch as inspiration to tweak each sound into a new and refined one.

Resulting patches and banks can be exported and shared without limits. Just click on “Open/Save” then “More” and “Export Bank” to get a shareable file.

sampleson.com/

Rand_x86  ( 7 MB )

Rand_x64  ( 10 MB )

Rand.vst  ( 10 MB )

Rand.component  ( 10 MB )

size 48 MB

• Two oscillators: Waveform, Amp, Tpitch [aftertouch – pitch], Pulsewidth, PWM rate, PWM depth, Trans [transpose], Detune, Touch [aftertouch – osc amp].
• Noise [white or bandpassed]: Amp, Touch, Resonance, Transpose.
• Filter: Filter type, Double [filter doubling], Cutoff, Track [keytracking], Reso [resonance], Split, Mix, Touch [aftertouch – cutoff), Mod (envelope modulation), Velocity, Filter envelope, Speed ratio.
• Envelope: Attack, Hold, Decay 1, Breakpoint, Decay 2, Sustain, Release.
• Distortion: Type, Mode, Oversample, Pregain, Limit, Postgain.
• Chorus: Mode, Rate, Delay, Range, Feedback, Mix: Dry/wet mix, Voices.
• Delay: Unit, Quantize, Input pan, Rotation, Dry, Wet, Length (left and right), Feedback (left and right), Reverse (left and right), Lowpass, Highpass, On/off switch.
• Reverb: Room size, Length, Predelay, Early (reflections), Dull(ness), Bright(ness), 1/2/3, rotate, Dry and wet output gain, On/off switch.
• EQ (5-band parametric equalizer): Type switch, Frequency, Amp, Slope.
• Pitch envelope: Start, Attack, Peak, Decay, Sustain, Release, Velocity, On/off switch.
• Mod envelope: Attack, Hold, etc., Mod depth, Mod target, Velocity.
• Tuning: Tune, Octave, Cut reference, Pan reference, Notes.
• LFO (x2): Shape, Mode, Unit, Rate, Quantize, Cut 1, Cut 2, Resonance, Pitch, Pan, Rate2/1.
• XY Pad: Mod depth, Mod target, CC selectors, Vr (XY random radius) and vs (XY random rate).
• Arpeggiator: pattern, length, Mode, Unit, Quantize, Step, Arp notes.
• Skinnable: Oatmeal is reasonably skinnable.
• + Larger Bigger Skin by Flavours Of Lime
• + 42x Oatmeal Soundbanks  
• + Install Help and info

NA

Fuzzpilz_Oatmeal  ( 48 MB )

size 4.5 MB

RF-Bassline is a monophonic bass synth for Acid basslines.

A single oscillator monophonic synth with a Lowpass Filter, Distortion and Slide which provides a simulation of the Roland TB-303 vintage analogue bass synthesizer.

Making possible to create complex acid patterns common in classic Acid House, Techno and Trance music.

ronanfed.rf.gd/

RonFed_RF-Bassline  ( 4.5 MB )

size 3 MB  / 8 MB

Asper is an experimental synth combining wave table, subtractive, phase distortion and physical modeling for sound generation.

Idea was to add humanization to the sound on oscillator level in order to simulate behavior of real world instrument where each hit is different. It is not trying to simulate sound behavior like in analog synth, but rather to simulate Round Robin.

Instead of complex modulation I decided to split wavelet OSC to two layers that each has it’s own control. This way is you can easily control (for example) attack per velocity without assigning any modulation source. You can detune each layer, enable comb filter, enable pitch envelope or phase distortion to each layer individually. All blending control have individual shape setting for each layer or even inverse mode in order to have different amount or phase while using same MIDI CC or velocity.

• One wave table oscillator.
• 118 wave tables that can be combined in multiple ways.
• Comb filter for both wave table layers.
• Advanced amplitude adjustment with break point control for better control.
• Phase distortion for each wave table layer with 5 different shapes and it’s own detune.
• Mod section for Phase distortion with sync option.
• One noise sub synth.
• Round Robin simulation on oscillator level for both wave table and noise OSC.
• Set blending mode based on velocity or control with assignable MIDI CC.
• Ability to control shape for morphing, filter, FM amount starting from Exponential to Logarithmic.
• Filter with parallel or serial mode.
• Mod section for filter.
• Shaper, two modes.
• Saturation.
• Portamento for mono with adjustable velocity level for triggering.
• Vibrato module.
• Interactive GUI with mouse over for each element that can be changed or adjusted.
• Each control that have assignable MIDI CC have additional display for assigned controller.
• All envelope controls have additional 6 quick sub presets to choose from.
• Ensemble module for for unison or even reverb like simulation.
• Simple soft clipper to prevent clipping that can be disabled.
• Randomization for almost each subsection.
• Simple preset manager.
• One page with adjustable GUI scale, 80 up to 150%.

https://www.kvraudio.com/developer/zone-sk

Asper  ( 3 MB )

Asper_(64)  ( 8 MB )

size 1.7 MB

Strum is Karplus-Strong string synth, written completely in assembly.

Two different and independent string generators for more variety of sounds, with own feedback, string length, attack/decay envelope and vibrato settings. First OSC is trying to simulate basic characteristics of four basic string types – nylon, bronze, steel and flatwound. Second generator uses basic shapes – sine, saw, triangle and square with additional options to tweak (tension & position).

Both generators share the same amp envelope, tremolo, timbre feedback settings and multi mode filter (lowpass, bandpass, highpass, bandreject, peak, Chamberlin lowpass, bandpass, highpass, peak, zOne lowpass, bandpass, highpass, peak, 303 lowpass, highpass and resonant filter). One LFO for cutoff modulation with 17 different shapes (Sine, Saw, Triangle, Ramp, Square and 4 of each based on Lorenz, Rosler and Ikeda attractors.

Delay, chorus and reverb module and simple soft knee limiter.

https://www.kvraudio.com/developer/zone-sk

strum_10  ( 1.7 MB )

size 3 MB

Latcher is a noisebox synth.

The sound-generating part is something of a cross between a circuit called the Modutronic Messmaker (an AM/FM noisebox), XORbot, and an Atari Punk Console. It combines an AM/FM oscillator configuration with the osc-triggered monostable of the APC.

https://www.fstateaudio.com/

fsa-latcher-noinstall  ( 3 MB )

size 30 MB

The instrument enables users to load their own stereo SF2 SoundFont files and thereby any special timbres required of the music at hand, from classical acoustic instruments, to synthesized ones.

The instrument is also an educational tool for learning about computer music sound-design, sampling, as well as musical instrument intonation (aka microtuning and xenharmonics).

This instrument embodies a design philosophy of simplicity for microtonal music sound-design…

• Enables computer musicians and composers to freely load their own SF2 SoundFonts into a fully microtonal, sample-based VSTi.
• A ‘knob-less’ design featuring slider controls only, which enables intuitive direct control with a computer mouse.
• Settings are made by typing values into fields, dropdown lists, left-and-right arrows, switches and sliders.
• Enables musicians to specify precise microtonal pitch-bend settings.
• Features arbitrary microtonal oscillator transposition settings.
• Amplitude Envelope Generator with per-stage ADSR keyboard tracking.
• Dedicated Envelope Generator.
• VCA Envelope Generator with Per-Stage ADSR Keyboard Tracking.
• Switchable Velocity Sensitivity and Fixed Volume Control.
• MIDI Pitch Microtuning with MTS (MIDI Tuning Standard).
• MTS Support for both Single Note and Bulk Dump.
• Loads MTS Microtuning Format Files Internally and Receives MTS Externally.
• Local (Per-Patch) and Global Microtuning (Static Microtuning for All Patches).
• Microtunings can be loaded from any directory on hard drives or storage devices connected to the computer.
• 12 Note Polyphonic.
• Monophonic Legato Mode.
• Monophonic Portamento.
• Microtonal Pitch Bend.
• Vibrato.

n/a

One-SF2  ( 30 MB )

size 5.7 MB

IVOR2 is microtonal subtractive synth for learning about sound synthesis and musical instrument intonation (microtuning and xenharmonics).

IVOR2 embodies a design philosophy of simplicity for microtonal music sound-design:

• A knob-less design primarily featuring slider controls, which enables intuitive direct control with a computer mouse.
• A dedicated control signal system mapped to the most important synthesis functions.
• Settings are made by typing values into fields, dropdown lists, left-and-right arrows, switches and sliders.
• Enables musicians to specify precise microtonal pitch-bend settings.
• Features arbitrary microtonal oscillator transposition settings.
• MIDI-CC modulation of harmonics enables dynamically playing harmonics of the fundamental pitch.
• 2 Oscillators with 22 Waveforms.
• Microtonal, Cents-Based Oscillator Transposition.
• Per-Oscillator Analog Pitch Drift Emulator.
• Phase & Pulse-Width Modulation (PWM) Range Sliders.
• 9 dedicated Modulation Generators (MOD-GEN), featuring an ADSR and Graphic Envelope Generator, and an LFO that can be switched to run at Audio-Rate, which are for modulating Phase (FM), Pulse-Width, XFM, Pitch, Filters and Amplitude (VCA).
• MIDI-CC-to-Harmonics Modulation enables oscillators to dynamically sound harmonics of the fundamental pitch.
• Oscillator Mixer for setting relative oscillator volumes, Cross-Fade Modulation (XFM) and Ring Modulator (RM).
• Cross-Fade Modulation (XFM) Mode with six directional options for cross-fading between the two oscillators, including Sum (XFM bypass).
• Pre-Filter Saturation Stage with 20 Saturation Types.
• 2 Independent Filters with Six Filter Types: LP4, LP2, HPF, BPF, BRF, APF.
• 1 and 2 Stage Filter Cascade.
• Parallel and serial order routing.
• Unipolar and Bipolar Filter Modulation Modes.
• Full controller MIDI Pitch Microtuning with MTS (MIDI Tuning Standard).
• MTS support for both Single Note and Bulk Dump: Loads MTS microtuning format files internally and receives MTS externally.
• Patch (per-patch) and Global Microtuning (static microtuning for all patches).
• Microtunings can be loaded from any directory on hard drives or storage devices connected to the PC.
• Partials file loader for patch-level partial retuning of MOD-GEN Audio-Rate Oscillators.
• Modulation Effects include Chorus and two Phaser types.
• MIDI: 12 Note Polyphonic, Monophonic Legato Mode, Monophonic Portamento, Microtonal Pitch Bend, Vibrato.
• Ensemble: Tone Filters, Stereo Ensemble.
• Delay: Stereo Delay effect.
• 118 Factory Patches by Xen-Arts and Sevish.
• 148 MTS Microtunings.
• 91 Partials TXT Files for Audio-Rate Oscillator Modulation.
• Instruction Manual.

n/a

IVOR2  ( 5.7 MB )