12 MB

YS-Doubler is a stereo doubler based on a modified Haas effect for precise control of the stereo field width in a mix. This plugin solves the key problem with the classic Haas effect: instead of a static delay, it applies dynamic, alternating delays relative to the undelayed signal, synchronized to the project tempo. This alternation (left channel + delay in the right, right channel + delay in the left) achieves natural stereo widening without shifting the apparent volume to one side.

Main parameters:

*Haas* – setting the desired delay value to create a stereo effect.
*Rate BPM Tempo* – syncs the delay modulation rate to the project tempo for a rhythmically consistent effect.
*Swing Clock* – introduces a rhythmic deviation from the clear grid to give the effect a more “live”, musical character.
*Pre Delay* — a pre-delay that controls when the trigger fires: at a value of +10 ms, the trigger skips the initial transients, preventing attack distortion.
*Lookahead* – Predictive triggering (up to -10ms) allows precise positioning of processing relative to the beat and maintains signal dynamics.
*Widening* — controls the degree of expansion of the stereo field for flexible adjustment of the spatial image.
*Bass Mono* — limits the stereo effect in the low-frequency range: frequencies from 10–250 Hz remain in mono, which increases mix stability and compatibility with different playback systems.
*Swap Channels* — channel inversion for fine-tuning the balance and spatial arrangement of elements.
*Invert Phase* — flips the phase of the delayed signal by 180° to correct phase interactions and control the resulting frequency response.
*Volume* – adjusts the output signal level for precise integration of the effect into the mix.
*Smoothing* — select a smoothing algorithm for transitions, minimizing artifacts and clicks when the trigger is activated.

YS‑Doubler is suitable for working with vocals, guitars, keyboards and other instruments where you need to widen the stereo image without losing the clarity of transients and without the risk of phase problems in the low-frequency region. *Universal VST3 plugins may not be scanned by some DAWs. To solve this problem, on Windows, delete the “MacOS” folder inside the VST3 plugin. On MacOS, delete the “x86_64-win” folder inside the VST3 plugin.

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YS.Doubler.1.0.1  ( 12 MB )

43/211/144 MB

Air-G Plugins Collection is a collection of VST3 audio plugins built on the open source work of Airwindows, Chris Johnson’s ongoing project that has been releasing some of the most respected free DSP algorithms in the audio world. The collection started from a simple idea: take some of those algorithms and present them with a custom graphical interface that makes daily work more comfortable and visual. Not to replace or improve on Chris’s code, but to build on it: adding meters, displays, presets, and complementary controls that expand the possible uses without changing the underlying sound. The simplicity and lightness that characterize Airwindows are the starting point and the guide behind every design decision.

Depending on the tool, each plugin adds some combination of real-time level and gain reduction meters, interactive displays showing the actual frequency response, presets organized by instrument and use case, M/S processing, parallel compression controls, DAW tempo sync, sidechain filters, animations that reflect the state of the processing, and A/B comparison controls. All designed to make the Airwindows sound easier to explore and integrate into a real workflow.

The collection covers five areas:

Compression and dynamics: four compressors with distinct personalities — Pop! for transients and punch, Pulse for gluing buses and full mixes, Velvet for soft cohesion and spatial depth, Volt for the bus with a range that goes from transparency to envelope distortion. All four have a Mini version: same engine, compact 500-series rack module-style interface.

Clipper and de-esser: Clip combines two clipping modes in a single plugin with Delta monitoring. Dess detects sibilance by waveform shape rather than frequency targeting, with unusual precision on vocals and bright material.

Equalization: EaseQ is a four-band EQ with wide, musical Bezier curves, an interactive display, and an AIR button. Prism is a six-band graphic EQ with fixed frequencies, strong inter-band isolation, and draggable nodes.

Tape saturation and time effects: Tape is the full tape emulation, with head bump, flutter, three-band EQ, and 48 presets. Taped is the focused saturator, warmth and high-frequency compression with M/S processing. Taped Mini is its compact version. Echoes is the varispeed tape delay with DAW tempo sync and an HPF in the feedback loop. Mods brings four modulators (Chorus, AutoPan, Tremolo, Vibrato) into a single selector.

Reverb: Spaces brings together 16 reverbs from Airwindows’ k-series in a single plugin: rooms, halls, plates, chambers, and imaginary spaces, with Pre Delay and HPF always available and four memory slots for instant comparison.

Every plugin comes with a manual in both Spanish and English, written in musical language without technical jargon.

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Air-G.Plugins.1.0.0.WIN  ( 43 MB )

Air-G.Plugins.1.0.0.MAC  ( 211 MB )

Air-G.Plugins.1.0.0.LINUX  ( 145 MB )

325 MB

Evil Otto is our free take on the OTT-style multiband compressor: aggressive upward-and-downward compression that squashes a sound into place and makes everything feel louder, denser, and a little unhinged. Three bands, independent thresholds, gain-reduction metering, and a sidechain input. Drop it on a bus, a synth, a drum loop, or a whole mix and lean on it as hard as you like.

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Evil.Otto.1.0.0  ( 326 MB )

44.20 MB

Drum Processing Plugin
Every preset has been meticulously handcrafted through hours of precision analysis, critical listening,
and fine tuning. Each frequency point has been individually optimized to deliver exceptional punch, clarity,
depth, and authentic analog character.

Frequency Control
Dedicated Low Cut and High Cut filters, operating from 10 Hz to 20 kHz, provide precise tonal
shaping and complete frequency control for every drum element.

Air Control
Shape the entire drum bus instantly with a smooth ±12 dB spectral tilt, allowing brighter highs
or warmer lows while maintaining a natural and musical balance.

Analog Saturation
Inspired by legendary Class-A analog preamps, Drums God generates rich harmonics, warmth,
density, depth, and musical punch through advanced analog circuit and transformer modeling.

Oversampling
2x — Optimized for everyday production with low CPU usage.
4x — Recommended for critical mixing sessions.
8x — Maximum processing accuracy with ultra-low aliasing for professional production environments.

Note: You must register on the website to use the plugin, and you can log in to the plugin using those details.

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Drums.God.1.0.0  ( 44 MB )

16 MB

YS Chorus is a compact plugin for creating a chorus effect during mixing. Its simple and intuitive interface allows you to quickly adjust the sound to suit your track. The Depth and Rate knobs control the depth and speed of the oscillations, while the R button locks the Rate to the project tempo—handy for rhythmic effects.

Additional features:
Delay (0–30 ms) – for basic delays and the Haas effect.
High Pass (cuts off below 120 Hz) and Low Pass – to precisely shape the chorus frequency range.
LR-RL — swaps the chorus channels: helps to implement the Haas effect with the desired direction.
Wide – widens the stereo
Mono input – converts the panned signal into pseudo-stereo.
Phase Inversion – Inverts one channel 180° for flexible stereo imaging control.
Link – synchronizes the volume of the direct and processed signals.

Suitable for fine-tuning the stereo image and adding space – without unnecessary complexity. *Universal VST3 plugins may not be scanned by some DAWs. To solve this problem, on Windows, delete the “MacOS” folder inside the VST3 plugin. On MacOS, delete the “x86_64-win” folder inside the VST3 plugin.

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YS.Chorus.1.0.0  ( 16 MB )

45.1 MB

Akai S900 filter plugin. Series 9000 includes the same sixth-order (steep!) low-pass filter made famous by a late 80s rackmount sampler. For fun, we threw in drive, resonance, and an envelope follower. Then we made it available as a completely free plug-in! Watch your fingers, this one will cut away the spectrum like a samurai sword!

Features:
– Low-pass filter with a steep, sixth-order sound characteristic
– Drive control for subtle to extreme distortion
– Resonance (Q) control for filter emphasis
– Envelope follower for adaptive cutoff modulation
– Light or dark color scheme for user preference

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Series.9000.1.0.1  ( 45 MB )

12.6 MB

YS-Translator is an audio mixing plugin that implements a three-band crossover with flexible adjustment of frequency limits and filter slopes. Key features:

Three-band signal separation* – adjusting the cutoff frequencies and slope of the low-cut filters allows you to create unique timbres that are unattainable with a standard equalizer.
*Flux controls on each band* add dynamics through subtle oscillations, creating interchannel differences and a spacious sound synchronized with the project tempo.
*Mono Mode* – Disables inter-channel differences in vibrations, focusing rhythmic movement in the center channel.
*Mix control* – mixes the direct signal with the processed one (split crossover), expanding the palette of frequency transformations.
*Random button* — generates random combinations of crossover settings and Flux parameters; the result can be manually adjusted and saved as a preset.
*Two operating modes* (Option switch): simplified with a limited set of parameters and advanced with full flexibility of settings.
*Reset button* — returns all parameters to their default values.
*Interactive tooltips* – when you hover over any control, a short description of its function is displayed.

The plugin is suitable for both subtly adding space to the overall mix and for radically transforming the timbre of individual tracks. *Universal VST3 plugins may not be scanned by some DAWs. To solve this problem, on Windows, delete the “MacOS” folder inside the VST3 plugin. On MacOS, delete the “x86_64-win” folder inside the VST3 plugin.

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YS.Translator.1.0.0  ( 13 MB )

21 MB

Achieve commercial loudness. Keep the punch.
Shatter Clip is a high-performance, zero-latency visual clipper that pushes your drums, busses, and full mixes to professional loudness.

Keep your dB the same, but make it louder

By surgically shaving off microscopic peaks before they hit your master limiter, Shatter buys you massive amounts of free headroom without destroying your transients.

Stop guessing how much you’re clipping. Shatter’s 60-FPS glowing oscilloscope draws a “ghost” wave of your original audio, highlighting exactly what is being chopped off in bright pink so you can see your headroom in real-time.

🔥 The Engine:
Hard Clip: A brutal, digital “knock” perfect for making Trap and EDM drums cut through a mix.
Soft Clip: A smooth, transparent curve for natural dynamic control.
Analog Clip (Dual-Band): Our custom analog circuit splits your audio at 120Hz. It fattens your sub-bass with warm, asymmetrical tube saturation while keeping your high-end transients crystal clean.
Zero-Latency Oversampling: Keeps your audio free from digital aliasing without adding a single millisecond of delay.
Pristine Low-End: A built-in zero-latency DC Blocker strips out distortion mud, while an Absolute Safety Brickwall guarantees your signal never exceeds the ceiling.
Parallel Mix & Auto-Gain: Dial in the perfect amount of dry punch, or auto-match your output for brute-force RMS loudness.

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Shatter.1.01  ( 21 MB )

332 MB

Modular Filter/Delay. ShinRonin is a ground-up rebuild of Ronin, one of the earliest plugins we ever shipped, first released in 2003. The original paired two delay lines with a set of morphing filters and two fully patchable routing matrices, and it earned a cult following for the strange feedback networks and self-oscillating textures you could build inside it. Twenty years on, we have rebuilt it for modern systems, kept the architecture that made it worth remembering, and released it for free.

Two independent delay lines, each with tempo sync, reverse, looping, and feedback, feed a pair of morphing multimode filters that sweep continuously from notch through lowpass, bandpass, and highpass. There is saturation, two LFOs, and an envelope follower. Everything connects through two on-board matrices: a signal matrix that routes any audio source to any destination, and a modulation matrix that wires the LFOs, envelope, and incoming MIDI to nearly any parameter. It is happy doing clean stereo delays and gentle filtering, but the real fun starts when you patch a feedback loop and let it misbehave.

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ShinRonin.1.0.0  ( 333 MB )

10.2 MB

trasher lite is a waveshaper focused entirely on the graph. it allows you to modify the graph in any way you want. adding, removing and modifying points will feel seamless due to the comfortable and a familiar workflow. thanks to the built in oscilloscope, you can instantly see how the output looks like!

Features:
– flexible waveshaping editor
– asymmetrical and symmetrical mode
– adjustable curves
– lightweight on resources
– linux, macos and windows supported
– great quality thanks to 4x oversampling

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Trasher.Lite.1  ( 10 MB )