40.9 MB

Molotok, a simplified version of TDR Molot GE, is a musically characterful dynamics processor. Meaning “Small Hammer” in Russian, Molotok provides a rich range of exciting compression colors at your fingertips.

While Molotok doesn’t emulate any “vintage” device, its sound and behaviour was definitely inspired by their most interesting musical peculiarities. This flexibility makes it a rewarding choice for almost any source in the mix, be it drums needing more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

Molotok relies on the same algorithms as its larger edition, Molot GE. As with all TDR plugins, Molotok employs state of the art audio processing technology keeping unwanted distortion under strict control. An intuitive and well documented user interface offers quick access to all relevant parameters in a rewarding manner. Several helpers such as unlimited undo/redo, optional stepped controls, inline help tips and many more features help the operator achieve consistent results within a short time.

Notable Features
– Full featured dynamics compressor
– Eleven musically intriguing compression flavour nuances
– Different quality modes including zero-latency operation
– High quality signal processing

System requirements
Win 7 or above, Mac OS X 10.9 or above. OpenGL support.

Visit Developer Site

TDR.Molotok.1.0.7  ( 40 MB )

38.1 MB

A darker, Polarity-modified version of Robbert van der Helm’s Spectral Compressor: per-bin upward and downward compression, pink-noise shaping, sidechain spectral matching, freeze, and IR export.

Main Input
The dry signal is captured for latency-compensated mix, bypass, match, and delta monitoring before the spectral processor runs.

FFT Compressor
The signal is windowed, transformed into FFT bins, shaped by the upward/downward compressor bank, then rebuilt with overlap-add processing.

Sidechain + Output
Optional sidechain analysis can drive matching or compression. Freeze can lock the current curve, IR export can save it, and output gain/match finish the comparison.

Visit Developer Site

Polarity-SC-Dark.0.5.2  ( 38 MB )

39.4 MB

Alesis Midiverb II and Microverb I emulators. The studio workhorse that defined affordable digital effects × 2 and The bedroom producer’s secret weapon.

There are two types of producers: those who think this reverb sounds “too colored,” and those who refuse to mix a track without it. We meticulously recreated this cult-classic unit because sometimes, perfection is boring. You use it when you want your synth to float in space, your guitars to smear into a lush nostalgic wash, and your mix to have a sound that’s unmistakably its own.

Seven Categories of Classic Effects
All 100 factory programs are included, organized into seven categories that cover every effect type the original hardware offered.

Dual DASP-16 Engine
The MDV-II goes beyond the original hardware with two mathematically modeled DASP-16 chips running in series. Unit A feeds into Unit B, so you can stack a reverse reverb into a chorus, run a gated verb into a delay, or chain any two of the 100 programs together. Each unit has independent program selection, mix, and bypass controls.

Pan-Spread Stereo
Each unit has its own pan control. With both pans centered, the signal runs as a pure series chain — you hear the combined result of A into B. Spread the pans apart and the two stages separate in the stereo field, letting you place each effect independently. It’s a smooth crossfade from stacked mono to wide stereo.

Faithful DASP-16 Emulation
The heart of the MidiVerb II is the custom DASP-16 (Digital Audio Signal Processor) chip designed by Keith Barr. The MDV-II faithfully recreates this chip, reproducing the signal flow of all 100 factory programs at the original 31,250 Hz internal sample rate. Every program produces the same output as the original hardware — including its characteristic warmth and bandwidth-limited charm.

Vintage Mode
Toggle vintage mode with the fuse icon in the toolbar to drop the internal engine from 44.1 kHz down to the original hardware’s native 31,250 Hz sample rate. This lowers the Nyquist ceiling to ~15.6 kHz and stretches reverb tails and delay times to match the original unit, reproducing its characteristic darker, softer tone.

Intuitive Controls
Input Level, Mix, Pan, and Output Level knobs give you precise control over signal flow. A/B buttons switch between the two engines, each with its own program, mix, and pan settings. A per-unit bypass button lets you disable either engine independently. The two-digit numeric keypad, arrow buttons, and drag-to-scroll LED display make program selection fast and familiar. All parameters are fully automatable in your DAW.

Visit Developer Site

MDV-II.0.5.4  ( 39 MB )

27.9 MB

Vocal Pitch Corrector. Most vocal tuners make you choose. You can sound perfectly in tune, or you can sound human. PitchCure gives you both.

It is a high-end vocal tuner. Some plugins turn real singing into robot sounds. PitchCure does not do this. It tracks the voice and keeps the real feeling safe. Words stay crisp. Breaths stay natural. The tuning feels subtle and natural.

It is built for fast work. You do not have to draw lines on a screen. Find your key with one click. Pick your voice range. Then, turn the main knobs.

Use Speed to fix bad notes. Turn up Humanize to keep the song’s emotion. Use Transition for smooth slides between notes. Use the Color knob to add rich tone.

You might want hidden tuning for a quiet song. You might want fast tracking in the vocal booth. Or, you might want vocals locked to your MIDI chords. PitchCure gives you great pitch that still sounds human.

Features:
– Transparent Tuning: Artifact-free, time-domain pitch shifting without metallic phase-smearing.
– Vibrato Protection: The Humanize engine actively maps and preserves natural vibrato and emotional expression.
– Fluid Transitions: Control the glide between notes—from instant hard-snaps to smooth, natural portamento.
– Auto Key & Custom Scales: One-click key detection, or build your own scales using the interactive Edit Notes matrix.
– MIDI Target: Override the scale and force the vocal to follow the exact chords or melodies you play on your keyboard.
– One-Knob Color EQ: A built-in tilt EQ to instantly add chest warmth (Dark) or brilliant air (Bright).
– Live Tracking Ready: Near-zero latency in Real Time mode, or switch to HQ for maximum processing quality during mixdown.
– Ultra-Light CPU: Highly optimized to run at low CPU, easily handling massive multi-vocal sessions.

Visit Developer Site

PitchCure.1.0.1-1.0.0  ( 27 MB )

50 MB

A six-band equalizer with the ability to use each band in Left-Right, Center-Side mode.
Each band also has its own LFO for adding movement to a specific frequency range, producing subtle auto-panning or vibrato effects.

The plugin was created using SynthEdit.

(Universal VST3 plugins can run on both macOS and Windows. SynthEdit now produces universal VST3 plugins. This means you can offer the same download file to macOS and Windows users. It will “just work.” SynthEdit universal VST3 plugins support both Intel-based Macs and Apple Silicon (ARM) machines such as M1, M2, and later models.)

Visit Developer Site

YS.Shimmering.EQ.1.0.0  ( 50 MB )

12.5 MB

ShallowGrave – Cascaded filter effect

Shallow Grave is a filter effect for Windows and Mac. It features 3 SV filters allowing you produced a wide range of sounds and textures.

Visit Developer Site

ShallowGrave.v1.0.WiN.MAC  ( 13 MB )

4.91 MB

Granulate is a Granulator VST Plugin (and Standalone .exe) modelled after a famous Granulator plugin from a certain DAW, but in a version that is not available anymore. It focuses on the basic elements that any granulator should have: A sample playback engine with choosable amounts of grains, their position, their spread around an interval and their duration. You can either press a MIDI note for resampling, or click on the loaded waveform to hear the sound grains around the position you click.

Version 1.1 improves file loading safety. The new version requires a bit more CPU, but with it you can now load audio files that are up to 3 hours long (albeit everything longer than 1 hour is experimental since then the memory required will be in the low gigabyte range instead of a few megabytes for shorter files). The earlier version 1.0 is still provided in the download but WILL CRASH YOUR DAW when you load any file longer than 5 minutes (and probably less than that in some cases, like file format etc.).

Please note (haha) that only clicking a part of the waveform is intended, when you click and drag the mouse it still works but you will hear some crackle sounds while moving (which are not too loud though).

A visual representation of the grains as small playback heads is also provided.

Thanks for checking it out! As with my other plugins, this too was made with the help of AI.

Controls

Load Sample: Opens a file browser to import a supported audio file.

Waveform Display: Visualizes the sample and allows you to click or drag to set the playback position.

Grains: Controls the number or density of grains playing simultaneously.

Size: Sets the duration of each individual audio grain.

Position: Selects the point in the sample buffer where grains are currently being grabbed from.

Spray: Adds random variation to the playback position to create a wider texture.

Window: Defines the width of the playable area around the current position cursor.

G-ADSR: Attack / Decay / Sustain / Release. Shapes the volume envelope of each individual grain.

N-ADSR: Shapes the volume envelope of the overall MIDI note.

AM: Applies amplitude modulation to the grains.

AM Disp: Adds random variation to the amplitude modulation.

Pitch Disp: Adds random pitch variation to the grains.

Pitch (Mouse): Manually changes the playback pitch offset for the mouse click mode.

Stereo: Randomizes the panning of grains to widen the stereo image.

Volume: Controls the master output level of the plugin.

Visit Developer Site

Granulate VST  ( 22 MB )

49.3 MB

TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms.

With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.

The concept is “proudly digital” in the sense that it doesn’t try to emulate any previously existing device. This is the original!

Key specs and features
– 64bit multi-rate processing structure for highest accuracy
– “Delta” oversampled signal path (bit transparent at 0dB gain reduction)
– Super fast, yet natural sounding compression
– “Crest factor” based control scheme offering independent release controls for peak and RMS events
– Flexible sidechain highpass filter
– Advanced stereo linking options optimized for the stereo bus
– Delta preview mode previews the difference between compressed and original signal
– Latency compensated, click free bypass (i.e. processing never interrupted)
– User interface rescaling (100%, 125%, 150%)

System requirements
Win 7 or above, Mac OS X 10.9 or above. OpenGL support.

Visit Developer Site

TDR.Kotelnikov.1.6.7  ( 49 MB )

29.3 MB

Shape your tone and bring back the buried musical energy.

1. Auralume Saturator adds only the harmonics that matter, enhancing your sound with musical depth through simple and intuitive controls. While “saturation” can easily become harsh, excessive, or reduce the perceived size of the original signal, this plugin avoids those unwanted side effects. It is designed to provide just the right amount of energy and presence without introducing haze or musical clutter.

2. The SILK mode delivers a smooth and cohesive character, refining the top end without introducing harshness. It brings clarity and a silky texture to vocals and other aggressive or bright tracks, adding presence and polish while maintaining natural balance. This mode enhances detail without pushing the sound into unwanted sharpness.

3. The WARM mode provides greater thickness, power, and harmonic breadth. Compared to SILK, it produces a fuller and more expansive tone, making it well-suited for guitars, drums, and powerful vocal styles. It enhances body and intensity while preserving natural warmth, resulting in a sound that feels both strong and organic.

Supported OS
Windows 10 or later / macOS 11 Big Sur or later

CPU
64-bit Intel processor or Apple Silicon (native support)

Memory
8 GB RAM or more recommended

VST3 (64bit)
AU (64bit)
AAX (64bit macOS only)

Visit Developer Site

Auralume.Saturator.Lite.1.0.1  ( 29 MB )

4.25 MB

Scream is a versatile VST plugin that recreates the legendary Scream filter from Massive, now available in any DAW. Known for its aggressive, resonant tone and raw energy, this filter has been a staple in electronic music for shaping basses, leads, and powerful sound design.

Scream isn’t just for basses. The filter can be applied to drums, synths, pads, and even vocals, unlocking textures that range from subtle saturation to intense screaming distortion. No matter your style, Scream fits seamlessly into your workflow. It comes fully compatible in VST3, CLAP, and AUv2, making it universal across all major DAWs.

Forget tedious automation. Scream features an integrated LFO & Performer system that lets you easily draw complex modulations right inside the plugin. Create movement, sweeps, or expressive effects, all with an intuitive interface designed for speed and creativity.

No bloated menus, no steep learning curve. Scream is designed with a clean interface that’s easy to learn, fast to use, and CPU-friendly Keeping your workflow smooth and your creativity flowing.

Visit Developer Site

Scream_v1.0.10  ( 4 MB )